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Tuesday, August 21st, 2018
Hm, php scripts in READIN have started breaking with the error "Fatal error: Uncaught Error: Call to undefined function mysql_connect()". So far it is not affecting the blog itself, but ancilliary scripts that are called by cron jobs, like the RSS feed generator and the header quotes builder. Looks like mysql_connect is deprecated and I need to update to mysqli_connect(), and maybe update the rest of my mysql calls as well.
posted evening of August 21st, 2018: 1 response
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I've been fretting about carving the pegbox on my cello... Today I had an idea for how to hugely simplify the process. I can't swear it is a good idea, but I went ahead and acted on it. Won't know until setup time if it's a boon or a bust.
The lateral* pegbox
So the idea is, instead of having two ⅜" cheeks for the peg to enter and exit, with the string winding in the middle, there is just a central fin ¾" wide. Pegs enter from alternating sides; the string winds on the opposite side to where the peg enters.
 The good
It looks kind of cool; it's original; it's way simpler to make. Also: if I ever wanted to switch to 5 strings, easy to drill another peghole.
The bad
I'm not certain about the physics here. In a traditional pegbox, the stress on the string is in between two points of support; here, the stress will be supported on one side only. This may break the peg, I'm not sure how strong they are. We'll see! If I'm wrong and it does not work, I'll need to carve a new pegbox and scroll, and graft it onto the neck. (Or as Jeff points out, if the pegs don't work I could try using bass viol tuning machines as a fallback option.)
but
Here's why I'm sort of confident about the peg holding up: if the string is wound properly, the stress on the peg will be right next to where it emerges from the supporting wood. This seems like a pretty strong load-bearing point.
*(and note)
Not a huge amount of thought went into the nomenclature. If you've got a more descriptive adjective for this than "lateral", please let me know.
↻...done
posted evening of August 21st, 2018: 2 responses
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Monday, August 20th, 2018
First weekend's progress: the neck is cut, and I've begun shaping it. (A key realization was that I'm going to need to get an angle grinder for cutting the metal tub, I ought to get it now so I can use it in shaping the neck. That cut many hours off of the time to shape the neck.) The upper surface is not precisely level or flat, and it is slightly wider than it needs to be. I'm going to spend my spare time over the next few days truing that up with rasp and scraper, and getting it to fit the fingerboard. Then I will work on the scroll and pegbox.
posted morning of August 20th, 2018: Respond
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Saturday, August 18th, 2018
well a drawing of a cello anyways. Next step, start cutting!
--well, the neck is a little off-center to the dowel. I think it will be stronger if it's centered.
posted afternoon of August 18th, 2018: 2 responses
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Thursday, August 16th, 2018
I'm looking forward to starting my cello project this weekend, and starting to get my shop in a little bit of order (anyway a marginally less chaotic state) and figure out where my tools are. I haven't done much woodworking to speak of since like 2007 at least! I'm really looking forward to having a well tuned up bandsaw, and to learning how to tune it up. This evening I found a box of rasps and files that I haven't seen in years :).
posted evening of August 16th, 2018: Respond
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Tuesday, August 14th, 2018
I've been looking around the web for a cello with a washtub body... Haven't found one yet quite like what I'm making, but there are a lot of different takes on the idea...
- A washtub cello with a plywood soundboard, seen at the 8th NYC Musical Saw Festival.
- A bucket cello made by Joe Rauen, with a long bridge connecting the strings to the back of the instrument.
- A tin can cello busking in France.
- A couple of washtub basses with strings and bridge, some with a soundboard added to the front of the tub, some using the back of the tub as soundboard.
- Paul Snider's junk orchestra includes the trashcan cello pictured above.
posted evening of August 14th, 2018: 4 responses
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Monday, August 13th, 2018
A little bit of redesign that will make the neck cheaper, easier to build and more elegant -- all along I have been picturing the neck as running under the fingerboard up to the point where it hits the washtub. But it makes much more sense for the neck to come away from the fingerboard, similar to a traditional cello, with the fingerboard unsupported the lower half of its length.
This saves me some width for the neck blank, along with a good deal of thickness, and means there will be much less material to remove when I'm truing up the heel. The neck will also be stronger because there is more material in line with the dowel.
posted evening of August 13th, 2018: 2 responses
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Sunday, August 12th, 2018
Work plan for building the Tin-can cello (this post is changing a bit, I'm just going to edit it inline; further edits in comments):
- Flatten bottom of neck: this will be the reference flat when cutting on the bandsaw. Plane entire length of board flat and straight. For reference, this is going to be parallel to the plane of the washtub's base. [note I never planed it flat, at all.]
- Mark up neck: draw outlines of the dowel and the neck on the board. Draw outline on the top of the board (i.e. opposite the side that was planed in step 1) and on one side. Use cardboard cut into shape of tub profile to determine where the dowel will go into the bucket.
- Cut around the outlines on bandsaw.
- Rough out dowel and neck. Finish dowel so it is straight and true. Mark up pegbox and scroll. Drill pilot holes for pegs.
- Mark entry for dowel on bucket. Cut open using angle grinder. Mark exit hole for dowel. Cut open.
- Fit dowel into bucket. True up heel.
- Finish shaping neck, carve pegbox and scroll. Attach nut and fingerboard to neck.
- Mount tailpiece; put A and C strings on, loose.
- Mark up and carve bridge.
- Set up cello.
posted evening of August 12th, 2018: 3 responses
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(Roughly to scale anyways). Some key measurements, as follows:
- Scale length (bridge to nut) 27.4"
- diameter of soundboard 17"
- bridge position to edge of soundboard ~4"
- length of peg box + scroll ~9"
- length of fingerboard 23 ⅜"
- height of tub 11"
- width of fingerboard at bridge end 2 ⅜"
I reckon the blank for the neck will need to be 10/4 hard maple, 6" wide*, 5' long. (Hope my bandsaw is up to the task! Derek is coming over in the near future to help with tuning it, and also to help with picking out wood...)
posted afternoon of August 12th, 2018: 7 responses
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Two excellent resources for carving and setting up the bridge -- Fitting and Carving a New Cello Bridge at Triangle Strings lays it all out, Cello Bridge Carving at Jawmunji Fingerstyle Resources breaks down and simplifies a few
key points.
I bought a good quality Belgian-style bridge from Menzel and a template from Metropolitan. Won't do much work on it until the main work of building the instrument is done... I'm already starting to visualize where its contours will be.
. 
posted morning of August 12th, 2018: Respond
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