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Me and Sylvia on the canal in Qibao (April 2011)

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Even the denial of a true idea creates a space which vibrates with possibility.

James Hamilton-Paterson


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Thursday, July 26th, 2012

🦋 Clouds above South Orange

Speaking of tormentas eléctricas, we're having a pretty dramatic one tonight. I got a nice cloudscape shot just beforehand.

(Actually the full size image of this would make a really nice wallpaper file.)

posted evening of July 26th, 2012: 6 responses
➳ More posts about South Orange

Saturday, July 21st, 2012

🦋 Descending a staircase

...Not sure quite how many times of looking in passing at the cover of La universidad desconocida it took me, before it clicked what the picture I am looking at is...

For more Bolaño/Duchamp pairing, check out part 2 of Savage Detectives.

Loving the poems certainly. I need to read them more closely and repeatedly before I will have anything worthwhile to write about them though.

posted morning of July 21st, 2012: Respond
➳ More posts about The Unknown University

🦋 My favorite tunnel is the one at 9th Street


es mi favorito, el túnel
el túnel del PATH a la calle 9a
con los tubos desciendo
homeward bound

posted morning of July 21st, 2012: Respond
➳ More posts about Poetry

Sunday, July first, 2012

🦋 Inspiration

Okay, who knew about this? I did not know about it and now I am blown away, stunned. This is the best thing ever. (Thanks for the link, Henry!)

In 1957, the Italian government commissioned Salvador Dalí to paint a series of 100 watercolor illustrations of Dante’s Divine Comedy, the greatest literary work written in the Italian language. The illustrations were to be finished by 1965, the 700th anniversary of the poet’s birth, and then reproduced and released in limited print editions. The deal fell apart, however, when the Italian public learned that their literary patrimony had been put in the hands of a Spaniard.
Undeterred, Dalí pushed forward on his own, painting illustrations for the epic poems that collectively recount Dante’s symbolic travels through Hell, Purgatory and Heaven. After Dalí did his part, the project was handed over to two wood engravers, who spent five years hand-carving 3,500 blocks used to create the reproductions of Dalí’s masterpiece.

«The wood and the suicide»: Inferno ⅩⅢ

Nessus had not yet reached the other side
When we moved forward into woods unmarked
By any path. The leaves not green, earth-hued;

The boughs not smooth, knotted and crooked-forked;
No fruit, but poisoned thorns. Of the wild beasts
Near Cecina and Corneto, that hate fields worked

By men with plough and harrow, none infests
Thickets that are as rough or dense as this.

posted afternoon of July first, 2012: Respond
➳ More posts about Inferno

Sunday, June third, 2012

🦋 Yarnstorming South Orange

I spent this morning reading Saramago in Spiotta Park, where the geniuses of Rebel Yarns had conspired to give the park a surrealistic makeover as part of the South Orange Maplewood Artists' Studio Tour. Click thru for pix.

posted afternoon of June third, 2012: Respond

Saturday, May 26th, 2012

🦋 Macrocryptography

posted afternoon of May 26th, 2012: Respond
➳ More posts about Logograms

🦋 Wide open spaces

The Daily Mail publishes a stunning gallery of photos of the undeveloped American West, taken on surveying expeditions in the late 19th Century.

(via cleek)

posted morning of May 26th, 2012: Respond

Sunday, May 20th, 2012

🦋 Hmm...

posted afternoon of May 20th, 2012: 2 responses
➳ More posts about Politics

Saturday, May 19th, 2012

🦋 Purple and Orange

Courtesy of Ellen's green thumb:

posted afternoon of May 19th, 2012: 1 response
➳ More posts about The garden

Sunday, May 6th, 2012

🦋 Moving patterns

Click through for more. via the House of Substance.

posted morning of May 6th, 2012: Respond

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