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Thursday, September 6th, 2012
(another poem written to a prompt from La universidad desconocida...)
PoesÃa que tal vez abogue
por mi sombra
en dÃas venideros
cuando yo sólo sea un nombre
y no el hombre
que con los bolsillas vacillos vagabundeó
y trabajó
en los mataderos del viejo y
del nuevo continente
Mis sueños no tan fáciles
que tengan como antecedente
alguna trauma desconocida
alguna pesadilla anterior
los dejo y caen
no soportados de ninguna
referencia exterior, no enlentecidos
abajo de mi paracaidas, y
¿a dónde? y ¿cuándo
pararán, cuándo van a poder
descansar?
Caen sueños del viejo
y del nuevo continente,
sin término caen;
sueños de amistad
masculino: rough homoerotic self-
sufficiency, soledad publicada. Que en los
mataderos norteamericanos
no trabajen sueños
sino sombras
posted evening of September 6th, 2012: 1 response
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Friday, August third, 2012
(This post is a continuation of the earlier Peter's Voice thread -- I am trying among other  things to make my reading of La universidad desconocida be Peter's reading, trying to get in his head and read through his eyes and hope to fully realize his character. Hope that anybody's going to be interested in reading about this guy and the books he is reading and translating; but of course this hope has always been intrinsic to the READIN project...)
 Walking down Partition Street in the light summer rain and watching the lightning across the river past Rhinebeck. A really impressive storm but it's far enough off, the air's not moving here. You have to strain to make out the thunder. Nice -- I'm glad to fantasize the soundtrack and just watch the show, glad to get a little wet, glad to get home and inside and dry off. Laura's a little spacey tonight. Dale and them had a gig down at Tierney's, we smoked some grass on the way over there and she really got into it --the intoxication goes very nicely with Megan's chops on the washboard, with Dale singing "Rag Mama Rag," it must be said... a lovely time but all too short as they only had a half-hour set. The other acts? Nothing really that interesting, so here we are back home and Laura's prowling catlike by the bookcase. I'm smiling and asking her what she's reading. -- Eh, nothing's really grabbed my attention much since Snow. I grin, and flash on the "Love and Happiness" scene and Al Green singing, and feel the little twinge of uncertainty that's always present around Pamuk, like I'm not really getting it or am getting the wrong thing. (And hm, I should really mention that song to Dale...) -- Want to check out some poetry I've been working on? I found these pretty intense old Chilean poems over at Calixto's blog... and don't mention, or perhaps it goes without saying in this context, these poems from Ãvala seem to me like good trip material -- but I've mentioned Chile, and Laura would rather listen to Bolaño. Nice --I open The Unknown University at random and hit on "El dinero"; and it seems to me like this is the perfect poem for today, being as I am in receipt of a check from the Reality Fusion job, feeling confident about our rent for the next few months, even about a shopping trip over to Amazon... Still not much headway on the literary translation thing. But I remain hopeful; how could I not be, with Laura snuggled against me here on the couch as I read to her.
posted evening of August third, 2012: 7 responses
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Sunday, July 22nd, 2012
(written to a prompt from La universidad desconocida)
Entre estos árboles que he inventado
y que no son árboles
estoy yo.
If all the ink were wine and all the paper host
communion of the literate commences
when the printing presses close.
Beneath the trees that are not trees you sleep
and dream of average Joes and trains that are not trains
inhuman people, playing god, write out their epitaphs and fortunes:
your pen like silly putty printing mirrored verses
mocking poets' codes of conduct, bylaws
written waist-high on the wall.
The transubstantiation catches you off-guard,
you dip your pen once more to find
Our Savior's life-blood dripping from the
letters of your scrawl;
and senselessness transmutes your text
to whitespace, letters crawl away
like ants, it's time, don't miss your chance --
the Walrus beckons you behind his hanky.
Come and take a walk, we'll have a pleasant chat,
we'll have some oysters.
Carpenter, who's running late, will meet us at the dance.
posted evening of July 22nd, 2012: Respond
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Saturday, July 21st, 2012
por J Osner
(las que lea con disculpas a Roberto Bolaño: directed freewrite based on some references to rain in La universidad desconocida)
Mientras llueve sobre la extraña carretera
En donde te encuentras
Estoy
Créeme que estoy
En el centro de mi habitación esperando
Que llueva. Está lloviendo:
Corriendo las aguas sobre
Los huecos vitreos, ventanas
Deslizandose
Mis mejillas abajo
Y otras partes
Menos delicadas.
Creo
Creo
Tengo miedo
Créeme que tus huellas tan mojadas
Salpicando
Pulsan inquietante
(And fade.)
posted evening of July 21st, 2012: 1 response
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...Not sure quite how many times of looking in passing at the cover of La universidad desconocida it took me, before it clicked what the picture I am looking at is... For more Bolaño/Duchamp pairing, check out part 2 of Savage Detectives.
Loving the poems certainly. I need to read them more closely and repeatedly before I will have anything worthwhile to write about them though.
posted morning of July 21st, 2012: Respond
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Thursday, July 12th, 2012
I haven't really written much narrative (that I can recall) in the first person voice. Let's give this a try. Peter seems like a good place to start with the first person, being as he is at least roughly modeled after myself. (The plan as it now stands is, write fragments as they come to me. Revise and post at READIN those that seem worth while. Wait and see, see if anything is coming together. And if not, well, I'm having fun with the fragments and the revisions...)
 I found Fragmentos de la universidad desconocida when me and Laura were visiting Mexico City. What a poorly-planned trip! We had both just fallen in love with The Savage Detectives -- the idea came up on the spur of the moment, that we should make the trip as, well, an homage to Bolaño or something like that, something along those lines... didn't really bother to do much or any research though I guess, I guess we were both pretty busy with work around that time, felt lucky we could both take a week off and have it be the same week, and by the time we had gotten off the plane and stumbled to our hotel and stumbled out of the hotel, down the street, it was Day 1 and we were standing in the Plaza de la Constitución, rubbing our eyes, pawing at the map, trying to figure out how to get to the Calle Bucareli, and it was beginning to dawn on me that there were way better things we could be doing with our week than trying to retrace the footsteps of Leopold Bloom around Dublin.
It wound up being a good week, too -- we did not actually find our way to any of GarcÃa Madero's bars, but we did visit a couple of his bookshops, and the Bosque de Chapultepec, and Trotsky's house. Ate well. When we came home my suitcase was stuffed with books.
I've been a sucker for Spanish poetry ever since college -- the professor had us reading Neruda and Cardenal, and then I found an old book of Pablo Antonio Cuadra, and I was hooked. Something about the foreignness of it, the unfamiliarity of the language (well and of course the specific lilt and rhythm of Spanish) makes it touch me, ring clear in a way that only rarely happens with English language poetry. But Bolaño! I had no idea he had written any poetry. (I know -- it sounds dumb now, just a few years later on; for me he was just the author of The Savage Detectives, like how I didn't know anything about Kerouac beyond On the Road, for what seems like an inordinately long time past my tenth-grade year.) But, but there it was on the bookshelf, right in front of me in LibrerÃa Sotano: The fragments of the unknown university. What a title! Seeing it felt like a revelation. I know, I know, the structurally correct thing would have been for me to steal it... The cashier gave me a Sotano bookmark, I was meaning to hang on to it but no idea where it has gone.
That was our last day in Mexico.
↻...done
posted evening of July 12th, 2012: 11 responses
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Monday, January 9th, 2012
via Bifurcaria bifurcata: Argentine sculptor Amalia Pica speaks with the Dalston Literary Review about a series of sculptures inspired by Juan GarcÃa Madero's reference to catachresis in the final section of Savage Detectives.
 Catachresis #8 (head of the nail, teeth of the comb, eye of the needle, head of the screw)
posted morning of January 9th, 2012: Respond
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Sunday, January 8th, 2012
The Infrarrealismo FB page today features some grade-school photos of Mario Santiago Papasquiaro:
posted evening of January 8th, 2012: Respond
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Wednesday, January 4th, 2012
 Jenny Volvoski is an artist with a very cool project: To design one or more covers for each book she reads, as she reads it. Check out her blog From Cover to Cover to see what she's come up with so far. (via Richard of Caravana de recuerdos, who reminds us that the Savage Detectives group read is coming up)
posted evening of January 4th, 2012: Respond
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Thursday, December 22nd, 2011
«Hasta los confines del sistema solar hay cuatro horas-luz; hasta la estrella más cercana, cuatro años-luz. Un desmedido océano de vacÃo. Pero ¿estamos realmente seguros de que sólo haya un vacÃo? Únicamente sabemos que en este espacio no hay estrellas luminosas; de existir, ¿serÃan visibles? ¿Y si existiesen cuerpos no luminosos u oscuros? ¿No podrÃa suceder en los mapas celestes, al igual que en los de la tierra, que estén indicadas las estrellas-ciudades y omitidas las estrellas-pueblos?»
In Savage Detectives group read news, Rise links to some translations of Bolaño's First infrarealist manifesto.
posted evening of December 22nd, 2011: Respond
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