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Monday, June 9th, 2014
Brahma fue el primero de los Devas, el hacedor del Universo, el preservador del mundo. El reveló el Conocimiento de Brahma, la fundación de todo conocimiento, a su hijo mayor Atharva. I stumbled on an old blog post this past weekend which prompted me to take a look at the Mundaka Upanishad. Something about the reverent tone of the prophet who wrote the upanishad seemed very familiar -- it sucked me right in in the way some of my Bible readings have.In keeping with the Bible readings, I'm going to follow the Upanishads in Spanish, prophetic tone seems to come through a little better. But I think I'll try keeping a journal of it in English.
From him comes Agni (fire), the sun being the fuel; from the moon (Soma) comes rain (Parganya); from the earth herbs; and man gives seed unto the woman. Thus many beings are begotten from the Person (purusha).
Last night I read most of the Mundaka Upanishad a bit haltingly in English, focusing mainly on the part about two birds, inseparable friends which is what had brought me to the text -- quickly realized I would like this better in Spanish! Reread in Spanish and going back to the beginning of the upanishad and found a very familiar voice. This is like reading prophets in the Bible, a bit. Plus it has the ring structurally of a couple of my poems in Intenciones extendidas. Is that a tone in common with Old Testament? Not sure -- I tried to model those poems on an OT voice but did not feel like I succeeded, quite.This testament ("upanishad" is, if I understand correctly, a Sanskrit term with the meaning of looking up to, as to a teacher -- and just now "testament" seems like a good term for Upanishads though I think it is a bit shorter than NT) also seems to bear quite directly on recent musings on self and reality.
"Toma este Upanishad como el arco y coloca en él la flecha afilada de la devoción. Si así lo haces, tu mente permanecerá sujeta y darás en el blanco, que es el Indestructible."
posted evening of June 9th, 2014: Respond
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Saturday, May 31st, 2014
posted afternoon of May 31st, 2014: Respond
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Monday, May 26th, 2014
I could swear I've read the first pages of Varamo before now. Possibly a long excerpt was posted on somebody's blog? They dovetail way too closely for comfort with my own fantasy life...
Un dÃa de 1923, en la ciudad de Colón (Panamá), un escribiente de tercera salÃa del Ministerio donde cumplÃa funciones, al terminar su jornada de trabajo, después de pasar por la Caja para cobrar su sueldo, porque era el último dÃa hábil del mes. En el lapso que fue entre ese momento y el amanecer del dÃa siguiente, unas diez o doce horas después, escribió un largo poema, completo desde la decisión de escribirlo hasta el punto final, tras el cual no habrÃa agregados ni enmiendas....
posted afternoon of May 26th, 2014: 1 response
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Over time, working at the Branch Library, I came to think of all books as just misprinted editions of Moby-Dick. Carol told me she felt the same way.
Shaenon K. Garrity has written the only (non-graphic*) "Library of Babel" fanfic that will ever need to be written.
 * There is certainly still room for a "Library of Babel" graphic novel. Make with the infinite libraries, cartoonists!
posted afternoon of May 26th, 2014: Respond
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Sunday, May 25th, 2014
Some asemic poetry from Volodymyr Bilyk:
posted afternoon of May 25th, 2014: Respond
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Friday, May 16th, 2014
El poemario es cosa fÃsica!
posted afternoon of May 16th, 2014: 2 responses
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Saturday, May third, 2014
The final canto of Altazor is sui generis. It is "asemic" -- it communicates a text without using an established language.
CANTO VII
Al aia aia
ia ia ia aia ui
TralalÃ
Lali lalá
Aruaru
urulario
Lalilá
Rimbibolam lam lam
Uiaya zollonario
lalilá
Monlutrella monluztrella
laloló
Montresol y mandotrina
Ai ai
Montesur en lasurido
Montesol
Lusponsedo solinario
Aururaro ulisamento lalilá
Ylarca murllonía
Hormajauma marijauda
Mitradente
Mitrapausa
Mitralonga
Matrisola
matriola
Olamina olasica lalilá
Isonauta
Olandera uruaro
Ia ia campanuso compasedo
Tralalá
Aí ai mareciente y eternauta
Redontella tallerendo lucenario
Ia ia
Laribamba
Larimbambamplanerella
Laribambamositerella
Leiramombaririlanla
lirilam
Ai i a
Temporía
Ai ai aia
Ululayu
Ululayu
Lunatando
Sensorida e infimento
Ululayo ululamento
Plegasuena
Cantasorio ululaciente
Oraneva yu yu yo
Tempovío
Infilero e infinauta zurrosía
Jaurinario ururayó
Montañfendo oraranía
Arorasía ululacente
Semperiva
ivarisa tarirá
Campanudio lalalí
Auriciento auronida
Lalalí
Io ia
iiio
Ai a i a a i i i i o ia
Here is Juan Ángel Italiano reading it:
posted afternoon of May third, 2014: Respond
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Génesispor J Osner
Antes
de mandarle al Agua
que sea agua
ni a la Tierra que sea tierra
ni tampoco a la luz
y la oscuridad que se separen
debe hacer creador el Fuego
y lo dejar
Arder.
posted afternoon of May third, 2014: 1 response
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Tunes in the mail today! Check it out:
posted morning of May third, 2014: 1 response
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I presented my chapbook of biblical verse, and got good notes. Primarily -- I should keep my poems short and intense, and resonant; anchor the ideas in imagery; and surprise the reader. The favorite was "Esquéleto":
Esquéleto
Esto son mis huesos
desnudos; vestilos
en carne, inspirámelo
el Espíritu a mí.
Planteá Vos la sembra espiritual
que crezca y florezca profecía
derramámelo
fornicámelo
que sueñe yo los sueños
de iluminación
Readings for next week are Latin American vanguard poems, a beautiful selection (which somehow manages to omit Pasos and Cuadras).
posted morning of May third, 2014: 1 response
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