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Monday, May 11th, 2009
Haven't done one of these posts for a while; I was inspired to by cleek.
- "The Brave Engineer", The Carver Boys. About as Appalachian a song as I can imagine.
- "How You Want It Done", Big Bill Broonzy. Really nice, strange-sounding guitar, I think it's a National?
- "Mo Jo Hanna", Tami Lynn. (from an Apo mix.) -- This song ought to be on a mix tape right in front of "Polk Salad Annie".
- "Yah! Heavy and a Bottle of Bread", Dylan and the Band. The comic book and me, just us, we caught the bus. A good candidate for favorite Basement Tapes track.
- "Ozan Kouklé", Lafayette Afro Band. More Unfunkkedage.
- "Doin' My Time", Flatt & Scruggs.
- "The Wonderful City", Jimmy Rodgers. Cool, this mix is really drawing pretty deep on the breadth and depth of my music collection. (And wow, not even one Robyn Hitchcock track so far!)
- "Honky Tonkin", Nitty Gritty Dirt Band.
- "Original Midnight Mama", Sylvia Smith.
- "Avalon Blues", MS John Hurt.
- Bonus track, "Pablo" by Sol Ho'opi'i and his Novelty Quartet.
Lots of Apostrophic tracks in this selection; and I would be remiss if I did not mention that he has published another mix tape, Unfunkked X: Stretch -- a FB friend asks whether the image is a still from the live-action movie of "The Fabulous Furry Freak Brothers". Looks like a good mix; but I haven't been listening to it because I'm listening to another recommendation from Apo. Ain't no sunshine.
posted evening of May 11th, 2009: Respond ➳ More posts about Music
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Sunday, March 16th, 2008
My usual practice, when I'm in the gym with my iPod, is to listen to one of the Apostropher's Unfunkked tapes -- they get your blood moving nicely. Today I listened to the pod's shuffle function, which gave me mixed results as far as good workout music. 12 tracks, from getting on the machines to getting back to the locker room.
- Started out with the Hot Five's "Djangology", which turns out to be a fantastic song for running on the elliptical machine, one of the best ever I think. It's just so exuberant and fun. Source was disk 2 of the fantastic mix tape which Gertrude Crumlift Sturdley sent my way.
- Next was "Broke Down Engine", from The Definitive Blind Willie McTell. Not such a great tune for moving (although I think the Dylan version would be). Indeed I was about to make a categorical statement that Blues are no good for workout music, when
- "Candy Man" from Best of Mississippi John Hurt came on. This might not totally invalidate my thesis since it is more rag-time than Blues, but still. A funny performance -- this is recorded live at Oberlin College in 68 or so, Hurt was getting pretty old, and towards the end of the record he is missing a lot of lyrics. But you don't hold it against him -- he's good-natured about it and so is the audience. And his guitar playing is totally solid.
- "Satellite", from Robyn Hitchcock's 11/14/2004 performance at Maxwell's. I've been listening repeatedly to his cover of "Satellite of Love" and initially I thought he was playing that. A little slow, but still fun to move to.
- Between-song talk from the same concert -- a wonderful Happy Thanksgiving from Hitchcock -- he says "I hope this Thanksgiving you can find something to be thankful for -- it just has to be an internal thing," and more.
- More concert banter from Hitchcock -- this from a Jan. 2008 show in London. Cracking me up but not great for working out. Check this out:
Now, the thing about voices in your head, is, the first very important question: Is it your friend. George Bush, the president... of the, united, states... has a direct line to God. But we only have his word for it; God has said nothing at all. When your little pal in there gets chatty, just... don't give him your pin number.
- "For the Sake of Days Gone By", by America's Blue Yodeler, Jimmy Rodgers (though I was thinking at the time, it was by Ernie Tubb). Now this is more like it -- I'm moving fast again.
- A twofer, "Mule Skinner Blues" by Jimmy Rodgers.
- Stage banter again? From Hitchcock's 3/14/97 show at the Knitting Factory.
- Good music again -- I seem to be hitting about .500 -- "Skoodle Oodle Doo" by Big Bill Broonzy. I should make a "good music for working out" playlist which could then be shuffled freely.
- "Sugarfoot Stomp" by the Fletcher Henderson orchestra, which would definitely go on that playlist.
- "The Ballad of Frankie Lee and Judas Priest" by Dylan, which would probably not go on; but it was a very nice song for cooling down and walking back to the locker room. I wonder if Dylan was thinking about "The Walrus and the Carpenter" when he wrote this lyric, it fits very well.
posted evening of March 16th, 2008: Respond
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Friday, December 28th, 2007
- "Oceanside", Robyn Hitchcock, Live at the Cambridge Folk Festival. Not produced as well as the version on Perspex Island and I think they are playing at a faster tempo.
- "Keep on the Sunny Side", Nitty Gritty Dirt Band, Will the Circle be Unbroken. Can't say much about this. It is totally unironic and is Maybelle Carter's signature piece; I love it but it brings back unpleasant childhood sing-along memories.
- "Penny Lane", Robyn Hitchcock. Lousy. I ought to take this concert off my iPod, there is no reason to keep it. The banter following the song -- "One of the things that really distinguished the '60s from the present was that they didn't have these things that say 'if you like that, try this!'" -- struck me as kind of humorous but not really up to RH banter standards.
- "Rukus Juice Blues", Big Bill Broonzy. Awesome. Broonzy says "rookus", not "ruckus"; at first I thought he was talking about "ruby juice".
- "Birds in Perspex", Robyn Hitchcock LCFF. Maybe my favorite RH song ever. But again, not up to the level of the album version -- this record could probably come off the iPod as well. It is impossible not to sing along with "come alive" even though I'm in public, sitting on a bench on the street.
- "Pretty Little Dog", Critton Hollow String Band. Instrumental. Just right after #5. (from the "String Theory" compilation)
- "This is the Last Time I'll Say Goodbye", The Sirens -- from the Apostropher's Don't Bogart That Groove compilation. I hadn't noticed before what a remarkable song this instrumental piece is. The music has a really structural feeling to it like it's building a walled passageway that you travel through -- the notes are textural elements in the structure. This has to maybe have something to do with percussion -- I've gotten the same feeling from some tracks on Perspex Island that have really strong drums.
- "Johnny B. Goode", The Dead 2/27/77 -- this random set is trending toward songs that are totally characteristic of their performers.
- "Mambo Dominica", David Murray Latin Big Band, from Don't Bogart That Groove. "Cute but corny" is my initial reaction. As I listen to it for a while (it is a very long song), I start to hear the horns more individually, less as part of a mass of sound, which is pleasant. This would be good music for walking.
- "Each of her Silver Wands", Robyn Hitchcock 3/14/97 Knitting Factory. I don't know this song. It sounds like it could be pretty good but like he hasn't really written it yet at this performance. Very short.
The combination of numbers 1, 5, and 7 inspired me to listen to Perspex Island, which I had not in a while. It sure gets to me -- this is my favorite record of the year. When "Birds in Perspex" came on I had to run outside to avoid embarrassing myself by singing "come alive" in the Avery Fischer Hall lobby. ...Can I analyse the structure of "Birds in Perspex"? That is sort of what I wanted to do during my Song by Song project but I don't think it really came across. Every line of that song just really touches my heart -- the lyrics to be sure and the way they fall across the canvas of music. When Andy Metcalfe came in at the end singing "birds in perspex, come alive" it actually startled me that the person singing on the recording was not myself.
posted evening of December 28th, 2007: Respond ➳ More posts about Perspex Island
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Friday, November second, 2007
Belle inspires me to figure out where my iPod is and listen to some random songs so I can post them here. I'm getting lots of blues and lots of Robyn tonight.
- "Alma Waltz", Mississippi Mud-Steppers
- "Singin the Blues (Till My Daddy Comes Home)", Fletcher Henderson Orchestra
- "Broken Bed Blues", Kansas City Blues Strummers
- "Flavor of Night", Robyn Hitchcock -- this shares the quality of many of the songs on I Often Dream of Trains, where the song totally sounds like it's going to be amazing, fantastic, you can't miss its potential greatness, but somehow it doesn't quite make it.
- "Hard Way", Taj Mahal -- Janis gave me this CD in an effort to make me see how great Taj Mahal is; but I'm afraid his greatness eludes me. The instrumentals are occasionally awesome.
- "Sometimes a Blonde", Robyn Hitchcock. A solo acoustic performance at Maxwell's, in the catastrophic month of November 2004. I like this a whole lot. After the song, patter about waitress Desirée.
- "Terrapin", Robyn Hitchcock. From the second set of the April 2007 Games for May concert. With cellos!
- "I Miss You More", 13 Scotland Rd. I don't think this is my favorite song of theirs but after the long instrumental at the beginning finishes, it might be their best vehicle for Bill's voice.
- Medley of "Good Morning" and "In the Midnight Hour", by Robyn Hitchcock, who so much should not try to cover the Beatles. Oh man, this is a train wreck. What the fuck's going on Robyn? You have a really amazingly good singing voice when you're not trying to sing like John Lennon. (Though the cellos are a nice touch.)
- "Sittin' on Top of the World", Taj Mahal. Nope, still not getting it.
posted evening of November second, 2007: Respond ➳ More posts about 13 Scotland Rd.
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Sunday, July 29th, 2007
(Or, the Creeping Hegemony of Robyn Hitchcock) I was listening to The Last Waltz on my computer this evening and I suddenly thought, why don't I see what happens if I use the "shuffle" feature in iTunes? - "Weary Day" by the Delmore Brothers, performed by John Miller. This is on a compilation called String Theory, that I got as a pledge premium from WFMU, and it is without question the best thing I have ever gotten from a public radio station in return for a contribution.
- "This is How it Feels" by Robyn Hitchcock, from "Moss Elixir". Funny -- this is the last song on the record and I haven't really noticed it before.
- "Muleskinner Blues" performed by Old & In The Way, from "Breakdown".
- intersong chat from Robyn Hitchcock's July 1st concert at Three Kings Pub -- including the line, "no amount of moon landings could compensate for the Beatles breaking up."
- "Railway Shoes" by Robyn Hitchcock, from "Live at the Cambridge Folk Festival". Hmm...
- "Let's Go Thundering" by Robyn Hitchcock, from the March 14, 1997 show at the Knitting Factory. A very nice performance.
- A track whose title I do not know, from the end of a Taj Mahal compilation Janis gave me.
- "Lonesome Blues" by Henry Williams and Eddy Anthony, from the compilation "Violin, Sing the Blues to Me". This is one of the best records around.
- "She Belongs to Me" by Bob Dylan, performed by Robyn Hitchcock, from the November 14, 2004 show at Maxwell's. I'm not generally a big fan of Hitchcock's Dylan covers but this one has some nice moments.
- "Ñawi (Kichwa)" by Yarina, from "Ñawi". Yarina performed at Sylvia's school last year, and I bought their CD. Fantastic rhythms.
- "Opus 57" by the David Grisman Quintet, from the October 3, 1997 show at Somerville Theater. A long piece that starts out kind of dull but gets a lot more interesting.
I turned the shuffle feature off a couple of songs later, when it got to the Carter Family, which I'm listening to now.
posted evening of July 29th, 2007: Respond
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