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(March 2005)

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That's the trouble with being innocent, you don't know what really happened.

Tomek Zaleska


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Saturday, February third, 2018

🦋 A couple of Sufi links

While I am reading The Black Book I'm developing something of an interest in Rumi and by extension in Sufi. Here are a couple of links I've tracked down that seem like worthwhile further reading.

More as I find it.

Also -- I updated the Pamuk Bibliography with link to an essay by Saniye Çancı Çalışaneller, "Doppelgänger in Orhan Pamuk’s The Black Book".

posted afternoon of February third, 2018: 3 responses
➳ More posts about The Black Book

when it clicks: Orhan Pamuk is the author who taught me to identify with his narrator! (A lesson which has turned out to be really valuable in general as a way of reading.) This is exactly the story that he's telling about Galip's experience in The Black Book.

posted morning of February third, 2018: Respond
➳ More posts about Orhan Pamuk

Monday, January 29th, 2018

🦋 #tagyourself #itsme

...[A]ny Turk who passionately loves a masterpiece from the West which remains unread by his compatriots begins after a while to believe in all sincerity that not only does he love reading the book, but that he has written it himself.

--The Black Book

posted evening of January 29th, 2018: Respond
➳ More posts about Identification

Sunday, January 28th, 2018

🦋 Galip / Jelal

I decided to make a second try at reading Pamuk's The Black Book. I'm reading Güneli Gün's translation this time. (Thanks for the recommendation go to Badger of the lamented Orbis Quintus and also to Michael McGaha.)

It's been a long enough time that I have forgotten the text and the story in all but the very broadest strokes, from time to time I am recognizing a passage. I ought to review my notes from last time. I remember finding it difficult to wade through, and am not having that experience now, which can probably be taken (broadly) as evidence in support of Gün's translation being a better one...

I've started trying to read the chapters which are written by Jelal* as if I were in Galip's head, in the course of the story -- I think that is the intent, when for example the narrator says,

Working in the taxi's top light, Galip marked Jelal's column all over with numbers, signs, and letters, but he still didn't get anywhere.
The idea is that the reader should carry this image and others like it into reading the next chapter, which will be a column of Jelal's (viz. "The Kiss"). Is this asking much of the reader? I don't think I noticed this pattern last time I read the book.

Don't quite understand Galip's thinking that Jelal's columns (which he knows are reprints of old columns) would contain a clue abut Rüya's present whereabouts. (If I'm understanding right that that's why he's poring over the column and marking it up.)

In the middle of reading the previous Jelal column ("The Eye", which I think is one of the columns Galip had borrowed out of his cousin's collection of clips), I had the thought that the older relative (forget now which) who in a previous chapter criticized Jelal's columns as too long had a real point, that that could have been edited pretty brutally without losing much of value.


* Prefer this spelling, which Gün is using, to Celâl; Freely's rendering while accurate made me double-take "selal/jelal" every time I ran across it.

posted morning of January 28th, 2018: 1 response

Monday, January 15th, 2018

🦋 las alturas de Machu Picchu

¡Subiré a nacer contigo, herman@ poeta!

posted afternoon of January 15th, 2018: 1 response
➳ More posts about Pablo Neruda

Sunday, January 7th, 2018

🦋 Meh... What's up, doc?

gr

posted afternoon of January 7th, 2018: Respond
➳ More posts about Pretty Pictures

Saturday, January 6th, 2018

🦋 Two things I wish the creators of The Simpsons would do:

  1. A remake of Yellow Submarine. Keep the soundtrack, new video track.
  2. This is the next adaptation that should be made of a Pynchon novel:

posted evening of January 6th, 2018: Respond
➳ More posts about Thomas Pynchon

Sunday, December third, 2017

🦋 Ani'nin sessizliği

Yet, can't we do better than silence? Today, each student will receive a musical score and a instrument designed to imitate birds. A birdcall. Once in Ani everyone will hide in the ruins and start calling the birds. At first a few cries will interrupt the silence, then a melody will grow until a chorus of bird calls echo across the valley all the way to Armenia. And the singing will go on to the point of exhaustion, until the birds return to Ani and life comes back to the forgotten city.

The silence of Ani from Francis Alÿs on Vimeo.

posted afternoon of December third, 2017: Respond

Saturday, May 27th, 2017

🦋 The Disconnected

Look what was in the mail!



Heading in to the city this afternoon to find a nice cafe and do some serious reading...

posted morning of May 27th, 2017: 3 responses
➳ More posts about The Disconnected

Sunday, April 16th, 2017

se debe leer en un idioma que no sea el propio

posted morning of April 16th, 2017: Respond
➳ More posts about Altazor: The Journey by Parachute

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