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(April 19, 2002)

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A good book is the precious lifeblood of a master spirit, embalmed and treasured up on purpose to a life beyond life.

John Milton


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🦋 Some recent poetry



The moment of the poem, by J. Osner

Poems you read, they shape you –
watch the singsong of their syllables
chase images of light and shadow down syntactic tunnels.
Creep down along the sung semantic corridor to where it leads;
act out some solemn ritual
of determination.
The poem (if it's successful) always
functions on some level as a metaphor
for time: the reader's memory will
integrate the poem (if it's successful)
so its meter and its rhyme make up
a cauldron through which filters
reader's vision of experience:
the moment, just off-kilter,
just opaque enough to shadow
(just concrete enough to straddle)
future and the past which bubble up
through the poem (if it's successful)
and comprise the self you narrate to the world.

Δt

There is no calculus of consciousness.
The moment that you dwell in is no delta t,
no limit;
its kaleidoscopic boundaries recede.

posted afternoon of Saturday, July 26th, 2014
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In order for a poem to be successful (at least in the sense intended here), it must allow the reader utterly to identify with it, to project the reader's self onto it and vice-versa.

posted evening of October first, 2018 by Jeremy Osner

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