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Tuesday, November 6th, 2007
I hit on a way to defeat comment spam coming in from chin/e/sefr/eewebs, which I'm getting a lot of lately. Not saying what in public, in case they come around and notice; but if you are getting hit with similar traffic, drop me a line and I'll give you the recipe. It's pretty simple.
posted afternoon of November 6th, 2007: Respond
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Sunday, November 4th, 2007
An excellent line from the commentary track of Even Dwarfs Started Small, Herzog saying that the strictures of bourgeois propriety are "almost as monstrous and oppressive as the objects we surround ourselves with."
posted evening of November 4th, 2007: Respond
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Ooh nice, it's the early morning and the sun is out. Looks like beautiful weather today. I am going to take Sylvia to her swimming class and then this afternoon, the Dragonflies (an FCC spinoff children's group that Ellen and some friends have organized) are coming over to do craft projects.
posted morning of November 4th, 2007: Respond
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Saturday, November third, 2007
I've been listening to various tracks from the Apostropher's latest mix tape here and there for the past week or so; this morning I gave it my first deep listen, listening to all the tracks in order, and really paying attention. Verdict: good stuff, a productive use of your time. This is fantastic music for walking around, it would be great for working to (like house cleaning, woodworking, gardening kind of thing I'm talking about, not office work -- it would be difficult to keep your mind on your spreadsheet.) I have never heard a lot of this music -- highlights for me were "Little Walter Rides Again" by Medeski, Scofield, Martin and Wood, the Memphis Horns, the Bill Frisell tracks, and Bettye LaVette who to my ear sounds uncannily like Janis Joplin. (And what d'ya know, her latest album is called Take Another Little Piece of my Heart.)
posted evening of November third, 2007: Respond
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Friday, November second, 2007
Belle inspires me to figure out where my iPod is and listen to some random songs so I can post them here. I'm getting lots of blues and lots of Robyn tonight.
- "Alma Waltz", Mississippi Mud-Steppers
- "Singin the Blues (Till My Daddy Comes Home)", Fletcher Henderson Orchestra
- "Broken Bed Blues", Kansas City Blues Strummers
- "Flavor of Night", Robyn Hitchcock -- this shares the quality of many of the songs on I Often Dream of Trains, where the song totally sounds like it's going to be amazing, fantastic, you can't miss its potential greatness, but somehow it doesn't quite make it.
- "Hard Way", Taj Mahal -- Janis gave me this CD in an effort to make me see how great Taj Mahal is; but I'm afraid his greatness eludes me. The instrumentals are occasionally awesome.
- "Sometimes a Blonde", Robyn Hitchcock. A solo acoustic performance at Maxwell's, in the catastrophic month of November 2004. I like this a whole lot. After the song, patter about waitress Desirée.
- "Terrapin", Robyn Hitchcock. From the second set of the April 2007 Games for May concert. With cellos!
- "I Miss You More", 13 Scotland Rd. I don't think this is my favorite song of theirs but after the long instrumental at the beginning finishes, it might be their best vehicle for Bill's voice.
- Medley of "Good Morning" and "In the Midnight Hour", by Robyn Hitchcock, who so much should not try to cover the Beatles. Oh man, this is a train wreck. What the fuck's going on Robyn? You have a really amazingly good singing voice when you're not trying to sing like John Lennon. (Though the cellos are a nice touch.)
- "Sittin' on Top of the World", Taj Mahal. Nope, still not getting it.
posted evening of November second, 2007: Respond
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I want to be able to see the following four movies in a combined viewing, or at least close in time to one another: I think the middle two movies are better movies than the first and last; but they seem to sort of go together well. The movement from the final scene of Vagabond into Even Dwarfs would be pretty cool. Thinking about it, I am really liking this line-up as a quadruple feature. (Also, this video goes very nicely with the Herzog, though it does not really bring any of the others to mind.)
posted evening of November second, 2007: Respond
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Ellen and Sylvia are in town watching Bee Story; I am at home with Even Dwarfs Started Small. ... Minimalistic dialogue is great -- watching the movie with a fairly rudimentary grasp of German you can get a good deal of it without having to rely too much on the subtitles. (Here is the post that first alerted me to the existence of this movie -- looks from A White Bear's comment like I need to go back and watch with the commentary track turned on, that sounds pretty great.)
posted evening of November second, 2007: Respond
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Wednesday, October 31st, 2007
We do not understand speech, because speech does not understand itself, nor wish to; the true Sanskrit* would speak in order to speak, because speech is its delight and essence.
This line is from Novalis' The Novices of Sais, newly reprinted in a translation by Ralph Manheim. (Thanks to Conrad and Forrest, for pointing it out to me.) It strikes me as so similar to Fritz' speech to Karoline about Language, that I think Fitzgerald must have used it as source material. (It is also, I think, quintessentially stoner.) Another great line from The Novices of Sais, from the chapter titled "Nature": It must have been a long time before men thought of giving a common name to the manifold objects of their senses, and of placing themselves in opposition to them. It suddenly occurs to me that "manifold" might be a good translation of vielgestaltete in the first paragraph of Hymns to Night.
*This word is kind of bugging me, because when I read it I see the name of a language, not a type of philosophy. My suspicion is that Novalis intends it to mean "mystic", so I am making that substitution when I read.
posted evening of October 31st, 2007: 4 responses
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I always have thought of Moominpappa's Memoirs as the least interesting book in the series, worth reading only for the sake of completeness. But I have been reading it to Sylvia, at her request, for the past week or so; and this time around I am getting a fuller picture of it -- it is not just Moominpappa's boastful relation of his exploits, but rather his telling to Moomintroll (and Sniff, and Snufkin). There is a level of irony and distance that I wasn't really noticing before -- what I mean is, it was clear (in my previous reading) that Moominpappa was making a lot of stuff up to make himself look important -- that is an obvious part of the joke that's going on. But I thought that was the whole joke, and it's a kind of limited and corny one. Now I am picking up on the fact that Moominpappa is himself in on the joke and that he's winking at his audience -- this seems much more interesting to me than if it's just Jansson winking at me. Also: Sylvia says of the two Jansson picture books (Moomin, Mymble, and Little My and Who Will Comfort Toffle?) that "one is funny and one is serious", and that she prefers the funny one. (I kind of have to agree, though Toffle is pretty charming too.)
posted evening of October 31st, 2007: Respond
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Have fun.
posted afternoon of October 31st, 2007: Respond
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