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READIN
READIN started out as a place for me
to keep track of what I am reading, and to learn (slowly, slowly)
how to design a web site.
There has been some mission drift
here and there, but in general that's still what it is. Some of
the main things I write about here are
reading books,
listening to (and playing) music, and
watching the movies. Also I write about the
work I do with my hands and with my head; and of course about bringing up Sylvia.
The site is a bit of a work in progress. New features will come on-line now and then; and you will occasionally get error messages in place of the blog, for the forseeable future. Cut me some slack, I'm just doing it for fun! And if you see an error message you think I should know about, please drop me a line. READIN source code is PHP and CSS, and available on request, in case you want to see how it works.
See my reading list for what I'm interested in this year.
READIN has been visited approximately 236,737 times since October, 2007.
Reading Fug You this morning, I had a pleasant surprise -- a photo of old favorite Jim Kweskin and the Jug Band playing, and right in front is Maria D'Amato on the fiddle! I had completely forgotten she played violin, have just thought of her as a singer for years now.
So I've got some inspiration for the weekend, I want to get "Richland Woman Blues" happening on fiddle. (Also, I want to record "John Hardy was a desperate man", which I've been working on this week.)
Here is a bit of reminiscence about Maria, from Joe Boyd's White Bicycles. Joe went to the 1962 Cornell Folk Festival with Geoff Muldaur:
"We got lost on the campus and by the time we arrived the show - a double bill of Sleepy John Estes and Doc Watson - was over. At the post-gig party, the two men - both blind - sang old hymns shared by the white and black communities of the rural south. We noticed a dark-eyed beauty with a long black braid accompanying the Watson party on fiddle or keeping time with a set of bones. Geoff was too shy to talk to her, but swore that he would marry her. It was the young Maria D'Amato..."
posted evening of February 24th, 2012: Respond ➳ More posts about Fiddling
Just then Slippers, the bouncer, came into the bar and yelled: "Hello, Mayann. What in the world are you doing out on the stroll tonight?"
When she told him we were making the rounds he thought it was the cutest thing he had seen in a long time. Then he insisted that we have a drink with him.
By this time my mother and I were getting pretty tight, and we had not visited even half of the joints. But we were determined to make them all; that was our agreement and we intended to stick to it. Besides we were both having a fun time meeting the people who loved us and spoke our language. We knew we were among our people. That was all that mattered. We did not care about the outside world.
Autobiography and memoir have never been my cup of tea, really. But right now I am reading two autobiographies and digging them (Fug You, and Satchmo: My life in New Orleans), and I'm thinking I may have figured out how to read and enjoy the genre. Essentially it is this: don't read the book as the life story of the person who wrote it; read it as you would read a novel, and paying special attention to the "minor characters", that is to say the people around the author. A well-written memoir -- and these very different books are both well-written -- will give you some insight into the lives of the people who are not its primary subject, and this insight can allow you to see yourself in the picture.
posted evening of February 22nd, 2012: 2 responses ➳ More posts about Satchmo
Fug You is Ed Sanders' new autobiography. Check out Sanders reading from it at the launch, at Boo-Hooray gallery on Canal St. Boo-Hooray is currently hosting an exhibit of Fuck You/ A magazine of the arts.
posted evening of February 21st, 2012: Respond ➳ More posts about Fug You
(The embedded video is a YouTube playlist. After each song, the next one should start. Use the fast-forward and rewind buttons to skip around, or visit YouTube to get links to the individual songs.)
The Sailor's Hornpipe (trad.) 1:30
Frim Fram Sauce (Nat King Cole via Diana Krall) 2:59
John Hardy was a desparate man (I am not sure if this is trad. or by a Carter) 3:55
East Tennessee Blues (trad.) 1:28
Barbara Allen (trad, Child ballads) 6:08
Serpent at the gates of wisdom (Robyn Hitchcock) 4:03
Jeremy's Breakdown (The Modesto Kid) 1:19
All songs arranged by The Modesto Kid. That's like nearly 22 min. of music! Fully a ¼ of it Barbara Allen, whoa...
Recordings are made with Kodak Zi8, whose built-in mic is for all its smallness and cheapness, one of the best recording instruments in my house. Edited and saved using Windows Live Movie Maker and YouTube's "edit video" function.
Update: I changed the set listing a bit, so the first two comments below will no longer make sense. ("Humoresque" used to be included and is no longer, since it (a) was not recorded in the kitchen and (b) did not rise to the level of these tapes.) A word about the arrangements: I'm really taken with this form! It seems like something brand-new.
posted evening of February 19th, 2012: 2 responses ➳ More posts about Music
I am embarking on a new project this week. Recently Yascha Mounk of The Utopian contacted me to ask if I'd like to contribute some short translated pieces to their site's blog. Naturally (given that I've been reading and thinking about Vásquez' work so much lately) the first thing to come to mind was Juan Gabriel Vásquez' weekly column for El espectador, which seems almost perfectly suited for this format. I made contact with Anne McLean and received permission to give this a try -- the first column is up, his January 26th column about Salman Rushdie's canceled appearance at the Jaipur literary festival: Bullies and their certainties.
sà sÃ, tu aviso estóy escuchando pero hallo que no me importa esto rodeo del confesionario dar, del medio narrativo, del reflejo retro. Asà afirmando, estóy la suerte cerrando:
Nearly everyone in this town of fewer than 2,000 people some 95-miles east of San Francisco has a story about the two men, who were known as wild partiers and methamphetamine users.
“It’s freaky when you realize you knew someone like that,†said Jennifer Brown, 57, a bartender from nearby Clements.
Mr. Shermantine and Mr. Herzog were regulars at several of the local bars, including the Linden Inn, owned by John Vanderheiden.
“I heard him boasting about how he killed a guy just to kill him,†said Mr. Vanderheiden, who said he shrugged off Mr. Herzog’s stories as barroom bragging until 1998, when his 25-year-old daughter, Cyndi, disappeared after a night out with the men.
It is difficult to picture reading this story without wondering whether Herzog has started working on his documentary. Only icing on the cake that one of the murderers is named Herzog.
Thanks to Damir Galaz-Mandakovic Fernández of Tocopilla y su historia for running this report on Domingo Zárate Vega's visit to Tocopilla in 1932. The photo is from a local newspaper.
In 1932, in a time of chaos, misery and crisis in the country and likewise at the local level, there appeared in Tocopilla a figure both picturesque and controversial, of national fame, named Domingo Zárate, alias ‘The Christ of Elqui.’ He was a preacher who had taken up travelling throughout Chile and the neighboring countries, Bolivia and Peru, after he learned of his mother's death in 1922. Ever since then, as a form of penitence, he had devoted his life to evangelical sermons, had given up his clothing for a simple sackcloth and sandals, had let his hair and his beard grow unchecked. Hundreds of people came to hear his preachings; children were scared by his strange appearance, which provoked jeers and catcalls from the unfaithful -- he would reply in his own defense, ‘...better to be serious than to jest, especially when we are dealing with the Gospel. They will laugh at me, perfect, it is not the first time, not for Our Lord Jesus Christ; the public will have its say...’ (Revista Sucesos 1932 p. 7: Universidad de Tarapacá archive)
Gillian Welch and David Rawlings performed at the tribute concert to Warren Hellman last Sunday; you can watch the whole (7 hour!) show online via gillianwelch.com. Steve Earle is also on the bill, as are Old Crow Medicine Show and Robert Earl Keen.
Reading Fug You this morning, I had a pleasant surprise -- a photo of old favorite Jim Kweskin and the Jug Band playing, and right in front is Maria D'Amato on the fiddle! I had completely forgotten she played violin, have just thought of her as a singer for years now.
