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READIN
READIN started out as a place for me
to keep track of what I am reading, and to learn (slowly, slowly)
how to design a web site.
There has been some mission drift
here and there, but in general that's still what it is. Some of
the main things I write about here are
reading books,
listening to (and playing) music, and
watching the movies. Also I write about the
work I do with my hands and with my head; and of course about bringing up Sylvia.
The site is a bit of a work in progress. New features will come on-line now and then; and you will occasionally get error messages in place of the blog, for the forseeable future. Cut me some slack, I'm just doing it for fun! And if you see an error message you think I should know about, please drop me a line. READIN source code is PHP and CSS, and available on request, in case you want to see how it works.
See my reading list for what I'm interested in this year.
READIN has been visited approximately 236,737 times since October, 2007.
Watching The Artist with Ellen and Sylvia last night I was reminded of what a powerful instrument a movie soundtrack is. What a beautful movie! I recommend it for the acting (including Uggie the dog, who is replacing Asta in my affections), for the direction, for the dancing, but maybe most of all for the soundtrack. (I loved that when the movies started featuring sound, the soundtrack featured Pennies from Heaven, as sung by Rose Murphy.) At points the movie was best understood as a soundtrack delivery vehicle.
Update: ...And apparently the soundtrack generated a little controversy of its own...
But, but, so, what if they could listen, could talk back? Bartholomäus Traubeck of Linz has created an experiment treating a tree's rings as the groove of a record. You can read about it and listen to the music he played at TNW. (Thanks for the link, Knight!)
posted morning of January 22nd, 2012: Respond ➳ More posts about Music
I was once again unable to resist cutting up my fiddle, though I think with potentially better results (cf.) this time. I bought a new C string -- a Super Sensitive Red Label from Musician's Friend -- and found it a huge improvement on the string that had come with the instrument. Suddenly I wanted to play on the bottom strings which made me notice a problem with the bridge; namely, when I cut grooves for the strings I did not make enough space to accomodate the width of the C string. So I cut a little more away and have been playing almost exclusively for the past couple of practice sessions on the bottom 3 strings. See whatcha think of this recording I made of "Walkin After Midnight" : After Midnight by The Modesto Kid
posted evening of January 20th, 2012: Respond ➳ More posts about Fiddling
Dora was hurrying now and wanting her lunch. She looked at her watch and found it was tea-time. She remembered that she had been wondering what to do; but now, without her thinking about it, it had become obvious. She must go back to Imber at once. Her real life, her real problems, were at Imber, and since, somewhere, something good existed, it might be that her problems would be solved after all. There was a connexion; obscurely she felt, without yet understanding it, she must hang onto that idea: there was a connexion. She bought a sandwich and took a taxi back to Paddington.
Reading Murdoch's The Bell lately, I have been conflicted as to how I feel about the characters. I identify with them at points; but they have an air of falseness around them, the characters and plot elements seem almost like scenery for Murdoch's philosophizing and fable-telling. Not sure I mean this as a point against the book -- I am liking the book a lot -- but it does seem like an important stylistic element.
Then again I got a similar vibe from The Little Stranger, which was pretty clearly not written for philosophical argument.
posted evening of January 19th, 2012: Respond ➳ More posts about Iris Murdoch
I rode my bike down Muntaner to Diagonal. Parked it in front of the Dau al set gallery and rang Valerie's doorbell.
—When you come to the door, so you won't have to tell me who it is, ring three times in a row: ta, ta, ta. That way I'll know it's you. —that's what she had told me, the first day.
The door opened and I went upstairs. Valerie went over to the sofa with me as soon as I came in, she was moving her hands slowly in front of me, telling me her mother had been in the hospital since that afternoon, she feared the worst, that she had only come away from there to meet me, so that I would not come to an empty apartment and be scared.
She gave me a kiss on the cheek, paid me, and we left the apartment. Of course I didn't tell her any of what I'd been thinking about. I wasn't going to be seeing her anymore, surely; but I had left the mobile -- the lizards, the Gaudi mobile, on her sofa.
I have made a couple of revisions and have submitted the story to Words Without Borders. The biographical note I submitted:
Jeremy Osner is a computer programmer living in New Jersey. He came to Spanish translation late in life and has been learning the language as he learns the voices of the authors he has translated. Notable among these is Venezuelan Slavko Zupcic, a psychiatrist now living in Valencia, Spain, whose stories examine the gaps in understanding at the borders between people.
Watching The Artist with Ellen and Sylvia last night I was reminded of what a powerful instrument a movie soundtrack is. What a beautful movie! I recommend it for the acting (including 
