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Tuesday, May 18th, 2010
 So I your host begin my fifth decade this morning. A lot has happened for Ellen and me during my fourth decade: Sylvia came to be a part of our family; we moved from Queens to South Orange, and bought our house; I changed jobs a couple of times; Sylvia grew older; I started playing violin; we made lots of new friends and lost contact with some old friends; Sylvia grew older... A big thing for me in my fourth decade had been the establishment of this blog. (Thanks for reading it!)
I'm sort of taken aback by what a long time ten years is. (Let alone forty years! I can't even begin to grasp that duration of time. And yet I have lived it.) Looking forward to lots happening in the next ten...
posted morning of May 18th, 2010: 3 responses
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Monday, May 17th, 2010
 National Geographic has developed a pretty cool technology called MyShot, which (among other things?) turns photos into infinite mosaics -- the photo is "infinite" because at every level of zoom a mosaic is constructed with a static set of component images. Neat! (Though I wish you could pan, and that the zooming was smoother/bidirectional.)
A doggy mosaic below the fold. (On some browsers anyway -- let me know if it does not show up on yours.)
posted evening of May 17th, 2010: Respond
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Sunday, May 16th, 2010
I was born with a caul, which was advertised for sale, in the newspapers, at the low price of fifteen guineas. Whether sea-going people were short of money about that time, or were short of faith and preferred cork jackets, I don't know; all I know is, that there was but one solitary bidding, and that was from an attorney connected with the bill-broking business, who offered two pounds in cash, and the balance in sherry, but declined to be guaranteed from drowning on any higher bargain. Consequently the advertisement was withdrawn, at a dead loss—for as to sherry, my poor dear mother's own sherry was on the
market then—and ten years afterwards the caul was put up in a raffle down in our part of the country, to fifty members at half-a-crown a head, the winner to spend five shillings. I was present myself, and I remember to have felt quite uncomfortable and confused, at a part of myself being disposed of in that way. The caul was won, I recollect, by an old lady with a hand-basket, who, very reluctantly, produced from it the stipulated five shillings, all in halfpence, and twopence half penny short—as it took an immense time and a great waste of arithmetic, to endeavor without any effect to prove to her. It is a fact which will be long remembered as remarkable down there, that she was never drowned, but died triumphantly in bed, at ninety-two. I have understood that it was, to the last, her proudest boast, that she never had been on the water in her life, except upon a bridge; and that over her tea (to which she was extremely partial) she, to the last, expressed her indignation at the impiety of mariners and others, who had the presumption to go "meandering" about the world. It was in vain to represent to her that some conveniences, tea perhaps included, resulted from this objectionable practice. She always returned, with greater emphasis and with an instinctive knowledge of the strength of her objection, "Let us have no meandering."
Not to meander myself, at present, I will go back to my birth. -- David Copperfield What an amazing passage! I love the humor and the (positively Shandean) self-referentiality, I love the information about a superstition I knew nothing of, but most of all I just love the rhythm and flow of the text. I was reading this passage to Sylvia earlier (the reading Dickens with Sylvia plan is going into effect, she was pretty into it for a couple of pages and then lost interest -- dunno how far we will get) and thinking, out loud is the absolute best way to read this book. Listening to it is nice too, as I was finding with Bleak House, but listening to a person is way better than listening to a tape.
posted afternoon of May 16th, 2010: Respond
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Trying to do something with the violin by itself -- no voice, no guitar. Here's what I came up with:
It almost works, I think -- there are places where it is a little hard to follow the melody without lyrics but they are short in duration, the song comes back quickly.
posted afternoon of May 16th, 2010: 2 responses
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Saturday, May 15th, 2010
I wonder how much J.K. Rowling's diction actually resembles Charles Dickens', and how much that is a figment of my imagination inspired by their nationality and by the audio book format. I've been listening to Bleak House on tape for the last few days, and loving it (though to be honest, I don't think I would be digging it as much if I had not read the book already); my previous experience with audio books is mostly overhearing the Harry Potter books that Sylvia listens to from noon to night... but the expressions (and the characters' names) in Bleak House are definitely reminding me of Rowling! To be sure, Robert Whitfield (who is reading Bleak House) has a similar voice to Jim Dale's, and similar affectations -- I wonder if the creaky old-person's voice is a standard element of audiobook-reader training... Anyway, I got the idea that Sylvia might enjoy reading Dickens. So when we were at the bookstore today, I bought her a copy of David Copperfield, which neither of us has read, which I am hoping she will read and recommend to me... Virginia Woolf called it, in a pull-quote on the back cover, "the most perfect of all the Dickens novels."
posted afternoon of May 15th, 2010: Respond
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Friday, May 14th, 2010
For the past few weeks I've been reading Raul Galvez' book, From the Ashen Land of the Virgin: conversations with Bioy Casares, Borges, Denevi, Etchecopar, Ocampo, Orozco, Sabato -- this is certainly the proper way to read this book, a bit at a time rather than sitting down and plowing through it; so that one does not become frustrated and throw it down in disgust. There is much about the book that I would characterize as self-indulgent and silly; but there are also interesting, rewarding nuggets among the chaff. The most enlightening two conversations (and they are for better or worse "conversations", not "interviews") are the first, with Bioy Casares, and the last, with Ernesto Sabato. (I had never heard of Sabato before, but want to learn more about him -- in addition to his novels he was an anarchist and a nuclear physicist, and the director of CONADEP.) I'm also grateful to Galvez for hipping me to the name of Olga Orozco, who sounds like a wonderful poet; and for his conversation with Borges, which while it imparts very little in the way of information, is a charming impressionistic piece about the man's old age.
posted afternoon of May 14th, 2010: Respond
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Thursday, May 13th, 2010
Jorge posts a picture of his dog taking some well-earned rest:
 Update: or rather, not his dog, but one of a group of strays that were in the campsite where he spent the weekend outside Santiago. Another one, guarding the lake:
posted evening of May 13th, 2010: Respond
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Here is a song John and I recorded last night, a medley of "Drowsy Maggie" and "Dancing Barefoot" -- we've been working on this for a few weeks and played it last week at the Menzel Violins open mic. I'm pretty happy with the way we've integrated the vocal melody with the fiddle melody.
Oh and here is another song I recorded recently that I'm pretty happy with:
This is a Leadbelly song also performed by Hazel Dickens (and many other artists), but the version I learned it from and which I always think of when I hear it, is my friends' band Other People's Children, Liam and Malcolm.
posted evening of May 13th, 2010: Respond
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