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READIN
READIN started out as a place for me
to keep track of what I am reading, and to learn (slowly, slowly)
how to design a web site.
There has been some mission drift
here and there, but in general that's still what it is. Some of
the main things I write about here are
reading books,
listening to (and playing) music, and
watching the movies. Also I write about the
work I do with my hands and with my head; and of course about bringing up Sylvia.
The site is a bit of a work in progress. New features will come on-line now and then; and you will occasionally get error messages in place of the blog, for the forseeable future. Cut me some slack, I'm just doing it for fun! And if you see an error message you think I should know about, please drop me a line. READIN source code is PHP and CSS, and available on request, in case you want to see how it works.
See my reading list for what I'm interested in this year.
READIN has been visited approximately 236,737 times since October, 2007.
Sunday, September 21st, 2008
The temptation to regard Mr. Wallace's suicide last weekend as anything other than a private tragedy must be resisted.
A.O.Scott writes an eloquent essay on Wallace's legacy in today's N.Y. Times, with reference to Wallace's 2004 review of a Borges biography.
He was smarter than anyone else, but also poignantly aware that being smart didn't necessarily get you very far, and that the most visible manifestations of smartness -- wide erudition, mastery of trivia, rhetorical facility, love of argument for its own sake -- could leave you feeling empty, baffled and dumb.
It seems to me like the line "You know that was the last thing on my mind" admits of two not mutually exclusive readings. It could just be a restatement and intensifier of "Didn't mean to be unkind"; or it could also be a separate statement, that he just wasn't thinking about how he was behaving toward the woman he's singing to. The difference here keys on whether that takes "I could have loved you better" or "to be unkind" as its antecedent; I like the ambiguity.
(Yeah, any excuse to post this song... I was listening to Chet Atkins' cover of it last night in the soundtrack to Stroszek and it became the song I want to have in my head all the time. Maybe I will try and learn the words and figure out a violin part for the October jam. Do you know there are like 50 covers of this song -- most of the ones I can find on YouTube are inferior to the original although Dolly Parton's version is pretty easy on the ears. Oh also: here is a tape of Tom Paxton singing "Rambling Boy" on Pete Seeger's "Rainbow Quest" show.)
posted morning of September 21st, 2008: Respond ➳ More posts about Songs
It doesn't really make sense to title the previous post "Replacing Aguirre in my affections"... I was meaning to get across my dawning feeling as I watched it, that maybe this is the greatest movie Herzog ever made. But actually it's great in a very similar way to how Aguirre is, though they are very different movies. I think maybe the signature feature of Herzog's story-telling -- as I watch his films anyway -- is the way he can bring me to identify with his characters at the same time as I see them as totally alien, completely different from me. So I'm inside Bruno's head and I'm freaking out about how weird and inexplicable he is. Well that and of course the amazing layout of images on the screen, and the fantastic soundtrack; these are more qualities Herzog's great films have in common...
“Silver Bell” performed by Chet Atkins and Hank Snow -- not actually on the Stroszek soundtrack, a different version of “Silver Bell” was on it and some different songs by Atkins. (Including “The Last Thing on My Mind&rdquo -- just fantastic.)
posted evening of September 20th, 2008: Respond ➳ More posts about Music
may be Stroszek which I am watching now. This movie is exactly what a movie should be -- it is the ideal form "movie" that is in my mind when I give voice to the word. I think it is going to drive me to purchase a region-free DVD player -- am I right in thinking that such a thing exists? -- right now I can only watch it on my laptop and the image is pretty distorted; the characters and images on the screen are flattened so that it seems like you are looking up at the screen at a sharp angle.
I will try and figure out how to write a meaningful review of the movie and maybe post it later on.
(I wonder if this distortion is a property of the DVD rather than of the method of playing it. It would likely be cheaper to rent the DVD from Netflix, which will have a disk I can play on my TV set, than to buy a new DVD player. So that's what I'll do... Yep, strike all that above. I am watching the Netflix copy of the movie and it is sized properly. Way better this way.)
posted evening of September 20th, 2008: Respond ➳ More posts about Stroszek
It Is Time for History is just the greatest thing. I'm very happy it's going on -- people have claimed days up through early November so far. Today, nextian posts a wonderful cartoon of Sherman and Grant, with some great historical tidbits and editorial insight. The comments thread is totally worth while as well.
posted morning of September 20th, 2008: Respond ➳ More posts about History Time
Jim Henley posts an excellent poem of his that he wrote back in 1997, which he purports to have bearing on the current presidential campaign -- kind of a flimsy excuse I think but I'm glad to be reminded of this poem, with its invocation of Wallace Stevens: Some Affluence of the Planet.
Wallace Stevensâ??s job in Surety Claims
was minimizing loss. The filigrees
of tendrils that we ink into our moneyâ??
stock certificates, bearer bonds, plain cashâ??
are not there only to foil counterfeiters.
Vulgar as the approximations are,
they stand for the fruits of life.
On the subject of writers named Wallace: I'm wondering if Stevens' The Plain Sense of Things can be read as having any bearing on D.F. Wallace's essay "E Unibus Pluram".
posted morning of September 19th, 2008: Respond ➳ More posts about Readings
The image on the cover of Death with Interruptions refers to this passage late in the book. The cellist is in the park with his dog, reading a handbook on entomology:
As you can see from the image in the book, the death's head moth, a nocturnal moth, whose latin name is acherontia atropos, bears on the back of its thorax a pattern resembling a human skull, it reaches a wingspan of twelve centimeters and is dark in color, its lower wings being yellow and black. And we call it atropos, that is, death. The musician doesn't know it, nor could he even have imagined such a possibility, but death is gazing, fascinated, over his shoulder, at the color photograph of the moth.
I'm finding it kind of interesting that the man who eludes death (after she has gone back to work) in Death with Interruptions, is a cellist. Not sure exactly how yet. Here are two pieces of music mentioned in the novel:
J.S. Bach's Suite #6, opus 1012, is the music that death sees on the cellist's stand when she visits him; he later has the music with him at orchestra rehearsal, although he is "merely a cellist in the orchestra... not one of those famous concert artistes who travel the world... he's lucky that he occasionally gets a few bars to play solo." Here it is performed by Mstistlav Rostropovitch:
Chopin's Etude #9 in G♭, from opus 25: a short, jumpy piano tune which the cellist tells his colleagues is the only piece of music in which he can really see himself. Here it is performed by Son Yeol-Eum:
Tomas Eriksson has created an awesome animation -- it allows you to coax a tarantula across a map of Europe. Never thought about how much fun that might be? Well then you're in for a surprise. Link via Old Water Too.
It is time for history: curtana posts today about the arrest of John Rykener in London, in 1395, for engaging in unmentionable crimes, with links to a transcript of Rykener's questioning -- "basically the only legal document describing same-sex intercourse from England at this period."
Paul Krugman walks through the reasons for our current economic troubles -- he believes the administration's bailout proposal is a bad idea, and a potentially dangerous one.
was minimizing loss. The filigrees
Tomas Eriksson has created 
It is time for history: 
