The alternatives are not placid servitude on the one hand and revolt against servitude on the other. There is a third way, chosen by thousands and millions of people every day. It is the way of quietism, of willed obscurity, of inner emigration.
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READIN
READIN started out as a place for me
to keep track of what I am reading, and to learn (slowly, slowly)
how to design a web site.
There has been some mission drift
here and there, but in general that's still what it is. Some of
the main things I write about here are
reading books,
listening to (and playing) music, and
watching the movies. Also I write about the
work I do with my hands and with my head; and of course about bringing up Sylvia.
The site is a bit of a work in progress. New features will come on-line now and then; and you will occasionally get error messages in place of the blog, for the forseeable future. Cut me some slack, I'm just doing it for fun! And if you see an error message you think I should know about, please drop me a line. READIN source code is PHP and CSS, and available on request, in case you want to see how it works.
See my reading list for what I'm interested in this year.
READIN has been visited approximately 236,737 times since October, 2007.
So I'm pretty mystified by this Lightnin' Hopkins lyric. Leaving aside the obsession with women who wear wigs, what's up with the rats? Am I hearing this wrong?
(I am definitely hearing at least some of it wrong -- "ain't her own line", "all over mine", "I went to swing out" are all approximations.)
Update: I found a more authoritative version of the lyrics at the African-American Registry. "Rats" is correct. (The verse starting "I woke up this morning" is not present in the recording I've been listening to, from Hello Central.)
Update: Aha! Just figured it out! Thanks, unknown browser who came to this site by searching for "are wigs made of rat hair?" -- This is obviously what Hopkins meant by "rats": "wigs (putatively) made from rat hair."
Update III: Another idea comes by way of Martha M. -- "rats" are the structures used to support outlandish early-20th-C hairdos. The OED says,
5. Something resembling a rat in shape.
a. U.S. A hair-pad with tapering ends.
1869 Mrs. WhitneyWe Girls v. (1874) 98 She can't buy coils and braids and two-dollar rats. 1888Century Mag. 769 The crescent shaped pillows on which it [hair] was put up, the startling names of which were 'rats' and 'mice'.
I don't want no woman
If her hair ain't longer'n mine
I don't want no woman
If her hair ain't no longer'n mine
Yes you know she ain't good for nothing but trouble
She'll keep you buying wigs all the time
Yes, you know I carried my woman to the hair dresser
And this is what the hair dresser said
I stuck that straightener in, and
Wig fell off her head
I told her no!
Boy, if her hair ain't no longer'n mine
Yes, you know she ain't good for nothing but trouble
She'll keep you buying rats all the time
(Wigs and rats 'll get you killed)
Yes, you know I woke up this morning, peoples, poor Sam
'Bout the break of day
You know I even found a rat
On the pillow where she used to lay
You know I don't want no woman
If her hair ain't no longer'n mine
Yes, you know she ain't good for nothing but trouble
She'll keep you buying rats all the time
You know I went to get on the good side of my woman
Said Come and let's go and have some fun
You know I went to make a swing out when a rat fell from her head
Like one from a burning barn
But I just told her, I don't want no woman
if her hair ain't no longer'n mine
yes, you know she ain't good for nothing but trouble
she'll keep you buying rats all the time.....
Cut the rats out, rat, caught you buyin' wigs now, play it a long time.
↻...done
posted afternoon of September 9th, 2008: 2 responses ➳ More posts about The Blues
In comments at The Great Whatsit, Rogan posts a link to a truly mind-blowing animation, by Run Wrake of Sclah Films (and based on the art of children's book illustrator Geoffrey Higham). It's got insects, jewels, words, idolatry, mindless brutality -- it takes my breath away:
Not as a medicine, but it is one of the richest springs from which the spirit can drink. Perhaps it can't do great things for the body, but the soul needs literature like the mouth needs bread.
Literature is fortunately to hand -- Saramago has published a new book! The title is The Elephant's Journey; it is the story of the elephant Solomon, who in the 1500's travelled from Lisbon to Vienna. (This is what the article says; I'm presuming before that, he had also been transported from northern Africa to Lisbon.) It is not translated yet. And I have yet to read his most recently translated book, Death With Interruptions, about the problems of immortality.
Saramago is also in the news calling for Spain and Portugal to unite in a single nation under the name Iberia. Not sure what to make of this.
I am essentially a fiction writer, and if I ever cry, it's because I am worrying about the beauty of my book.
Orhan Pamuk is interviewed today in the Deutsche Welle (in English). He speaks about his concerns for Turkey vis-à-vis Europe, and about his life post-Nobel Prize, and about the museum of innocence he has assembled to complement his novel Museum of Innocence. Which sounds totally worth making a pilgrimage to Istanbul for.
The Apostropher has totally been coming through with great posts recently. Today he links to a post from Avi Abrams of Dark Roasted Blend, about the Yemeni island of Socotra, which Abrams deems "the most alien-looking place on earth."
It is weird-looking, alright, and dazzling. Approximately 230 species live on this island which are found nowhere else on earth. Take a look at the post, it features tons of pictures of bizarre flora and of the people of Socotra, plus some magnificent mainland Yemeni architecture.
More about Socotra -- the island's name derives from the Sanskrit dvipa sukhadhara, "island of bliss" -- at the American Institute for Yemeni Studies.
The first post has gone up at History Time -- Teozar, who is currently reading Peter Thompson's The Battle for Singapore, waxes incredulous at Percival's methods of defending against the Japanese onslaught. Nicely drawn!
The posts there are going to be approximately one per day, at least for the first little while -- a nice staid pace.
posted morning of September 7th, 2008: Respond ➳ More posts about History Time
OK, I spent a little time at the library -- fun! I felt like I was back in high school writing a research paper! (But in a good way.) (And no, I haven't really done much of that since high school -- this might be a mark against me -- oh well.) The two books I found were from 1970 and 1977, and confirmed with some variations the version of events in The Passionate War -- so my plan is solid to write about this version of events with a caveat up top, and to list Preston's book in the "Further reading" list.
The Revolution and Civil War in Spain, Pierre Broué and Emile Témine, 1970. tr. Tony White.
The Spanish Civil War, Hugh Thomas, 1977.
I think I've got enough stuff for a nice juicy narrative post.
I'm starting to write a brief note about the capture of Seville in July 1936, which is one of the first incidents in The Passionate War that really captured my attention. The plan is to post the note on History Time this coming Wednesday.
So far the main source documents I've found are The Passionate War and the Wikipædia entry on General Queipo de Llano, which unfortunately contradicts the book -- it says the narrative offered in the book "has achieved almost mythical status" but is refuted in recent research by Paul Preston -- presumably in his 1996 book, A Concise History of the Spanish Civil War.
So, hm. I don't have access to that book right now, though it looks like a good one to check out. I think I will swing by the library this afternoon and take a look at a few more books. Probably my task for Wednesday will be to write up the mythical account -- which is after all what seized my imagination in the first place -- and to make note of Preston's writing and how I may have it all wrong.
posted afternoon of September 6th, 2008: Respond ➳ More posts about Readings
At the Apostropher's blog this morning, I found this breathtaking video.
Ma Li and Zhai Xiaowei perform "Hand in Hand"
Strange but I haven't been able to find out much more about Ma Li and Zhai Xiaowei searching on the internet, besides that they did this dance. YouTube features two interviews with them on Chinese TV, both of course in Chinese and not translated. No English-language documentary information about them, although the video is hugely popular -- it is all over the net.
Intrepid cartoonist of historical events Kate Beaton has started an LJ community dedicated to history postings. This looks like it will be a great thing!
(Also, I notice it's Kate's birthday in a couple days. So: Happy Birthday, Kate!)
