Be quiet the doctor's wife said gently, let's all keep quiet, there are times when words serve no purpose, if only I, too, could weep, say everything with tears, not have to speak in order to be understood.
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Fiddling
I've played violin for a bit more than 30 years -- except that for about 20 of them, I wasn't playing violin. Suzuki lessons from about 5 years old to about 14 years old, quit in disgust, took it back up when I was 35. I have a lot of fun with it nowadays.
If you're looking for abc notation of fiddle tunes, be sure to check out The Fiddler's Companion.
READIN started out as a place for me
to keep track of what I am reading, and to learn (slowly, slowly)
how to design a web site.
There has been some mission drift
here and there, but in general that's still what it is. Some of
the main things I write about here are
reading books,
listening to (and playing) music, and
watching the movies. Also I write about the
work I do with my hands and with my head; and of course about bringing up Sylvia.
The site is a bit of a work in progress. New features will come on-line now and then; and you will occasionally get error messages in place of the blog, for the forseeable future. Cut me some slack, I'm just doing it for fun! And if you see an error message you think I should know about, please drop me a line. READIN source code is PHP and CSS, and available on request, in case you want to see how it works.
See my reading list for what I'm interested in this year.
READIN has been visited approximately 236,737 times since October, 2007.
Today, for International Children's Day, Gladney has organized a talent show at the Chinese consulate in Manhattan. Sylvia and I are going to be playing "Ashokan Farewell", which she learned in in Overture Strings this term. Fingers crossed! I think it will go well, we've been practicing it a lot over the last few days.
Inspired by Apostropher and by Dave B., I have put together a mix tape of music that makes me feel happy. It's uploading right now, I probably won't get a chance to link it until we get back from our performance. So come back this evening to listen!
...The performance went very well indeed! We both made our entrances correctly (and I just want to point out that this was Sylvia's first experience with arranging -- she worked out who would play what part where) -- played in tune and kept time and all. Here's a photo:
Janis lent me a CD of Jelly Roll Morton's music, which I'm loving. Today after listening to it for a while, I played this on my violin, which I think is supposed to be kind of a take on the music I was listening to:
So what do you think? I was really enjoying playing that piece and I think if I had some kind of accompaniment (and -- of course -- spent more time on polishing the performance and the arrangement) it could be really worthwhile music. But I'm not sure how I would find someone that was interested in playing like that. Or for that matter what the instrumentation should be.
Let me know what you think about the sound.
Update: Two songs that I think I could play and that would go really well with this, are "Gimme Pigfoot" by Bessie Smith and "They're Red Hot" by Robert Johnson. (Thinking about it, these two songs are very similar to one another -- but not exactly the same.)
posted evening of May 6th, 2008: 2 responses ➳ More posts about Songs
I discovered, during my violin lesson today, that I am not moving my wrist at all when I pull and push the bow. This seems like something that will be pretty easy to fix now that I know about it, and should have a very beneficial effect on my sound.
posted evening of March 26th, 2008: Respond ➳ More posts about Music
I like to sing and to play violin; what I am aiming for is a style of playing where I can sing, play rhythm in between the lines of the verse, and play melody on breaks and between verses. I only have two songs where I can really do this, viz. "The Louisville Burglar" and "John Hardy was a Desperate Man"; I have mapped out how to do it for "The Ballad of Hollis Brown" and "Stagger Lee", and I think those two will come fairly quickly with practice; in Blues, I am close to knowing how to do it for "Sweet to Mama" and "Rising Sun Shine On". With this and a couple more songs, I would have a set -- but I need to find a partner, preferably either a guitarist or a banjo player. Jerry is not satisfied with the progress we've been making together and wants to play on his own. Hopefully I will be able to find somebody at one of the folk music jams around here.
Listening this evening to MS John Hurt playing "Stagger Lee", and it hit me that his guitar part would translate really well to violin. Going to try it out when I go downstairs later on.
The open mic went ok. We played three songs; I thought we did really well on the two songs that Jerry sang ("Bed on Your Floor" and "K.C. Moan"), but had trouble keeping in time together when I sang "John Hardy was a Desperate Man". Not sure exactly what to make of that -- I want to work more on that, it's one of my favorite songs.
The space is nice and there was a decent crowd. A couple of really good guitarists. Too many poorly-done Beatles covers, alas. My favorite performance for utter weirdness, was the tightly-wound guy strumming guitar and singing "All Through the Night".
Listening to "Sweet to Mama" in the car today, and then replaying it in my head all day at my desk. And thinking, that's really a song I could play pretty well on my violin. I came up with a nice-sounding rhythm part consisting of an eigth-note rest followed by a triplet of sixteenths followed by eighths -- it sounds catchy and unusual. So when I got home I tried playing it on my violin -- and was a bit disappointed in the sound. Put it down, and an hour or so later I wanted to try it again, but only the viola was handy -- so I picked it up and was amazed by how natural it sounded. The key is G minor, which I think fits just as well to a violin as a viola; but something about the lower register is just fantastic for this song.
Update: Well, tonight I tried it on the violin in D minor and it sounded just as good -- so it was a matter of finger positions rather than register. Unfortunately it seems pretty hard for me to sing it in either G or D, I'm going to need to work out fingerings for it in some other key.
For a while my A string has been fraying and in need of replacement -- tonight I put a new string on. Well a couple of things about this: it took a frustratingly long time to get it on and wound properly, a job that should take less than a minute. So I'm frustrated about not being skillful at it. But more, I don't like how long it took me to get around to doing it -- I get intimidated by stuff like this in a really not useful way.
Both of these things are also true of sharpening knives, and it drives me crazy that all the knives in my kitchen and most of the blades in my wood shop are not sharp the way they ought to be, and how intimidated I get at the thought of making them sharp. I'm not sure how to approach this.
posted evening of March 15th, 2008: Respond ➳ More posts about Toolbox
Jerry and I practiced this evening for the first time in about a month, and it was productive. We're going to play the open mic at Tierney's next week; our set will be chosen from this list:
Weary Day
The Louisville Burglar
Bed on Your Floor
K.C. Moan
John Hardy was a Desperate Man
There are other songs we can play pretty well but those five are solid. If you're around Montclair next Thursday evening, come by and check us out.
(The fiddle lessons that I have just, in the same past month as we have not practiced, started taking, seemed to really be paying off -- along with the increased amount of practicing I am doing on my own to support them: I was feeling much more confident with rhythms and starting to see some new ornamentations I could apply to vary the melodies and harmonies I play. Also, double stops! Few and hesitant to be sure, but palpable double stops.)
By way of 
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