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Music
I've had a pretty complex relationship with music over the years... ought to write about that sometime. Anyways: I listen to a lot of it, in genres like "rock" and "pop" and "folk", and play some of it, primarily in the genres "old-time" and "classical".
But, but, so, what if they could listen, could talk back? Bartholomäus Traubeck of Linz has created an experiment treating a tree's rings as the groove of a record. You can read about it and listen to the music he played at TNW. (Thanks for the link, Knight!)
I was once again unable to resist cutting up my fiddle, though I think with potentially better results (cf.) this time. I bought a new C string -- a Super Sensitive Red Label from Musician's Friend -- and found it a huge improvement on the string that had come with the instrument. Suddenly I wanted to play on the bottom strings which made me notice a problem with the bridge; namely, when I cut grooves for the strings I did not make enough space to accomodate the width of the C string. So I cut a little more away and have been playing almost exclusively for the past couple of practice sessions on the bottom 3 strings. See whatcha think of this recording I made of "Walkin After Midnight" : After Midnight by The Modesto Kid
posted evening of January 20th, 2012: Respond ➳ More posts about Fiddling
Jim Kweskin and the Jug Band is the group that got me listening to old-time music. Not the first old-time I listened to, certainly; but when I heard Maria d'Amato (who would marry the group's banjo player and become one of the great popular music voices of the 60's and 70's as Maria Muldaur) sing "Richland Woman Blues" -- this was in the late 90's sometime, after I had come home from a Christmas visit to my parents with a cassette dub of two records, Jug Band Music and See Reverse Side for Title -- was a signal moment for me, it was when I knew what kind of music I wanted to play, what I wanted to sound like.
It was fun to happen on that Wyos cover of "Rag Mama Rag" last night -- that was one of the first songs I learned to play when I was taking lessons in finger-style guitar from Eric Frandsen. I've added a couple of tracks to the end of my You Ain't Goin Nowhere playlist, ending up with The Band's song "Rag Mama Rag". And re. The Band, exciting news! Ellen and I are going to see Levon Helm's Midnight Ramble at the Wellmont Theater on Friday the 10th.
Update: Midnight Ramble show in Montclair is postponed until April.
I compiled a video playlist of most of these songs on YouTube -- particularly recommend checking out the almost hallucinatory quality of the two The Byrds versions and the really striking fan video for the Rave-Ups' version. And the Venus 3 number, while it strays a bit from the theme of the playlist, fits in quite nicely and fits into a broader playlist theme of "Songs I would wish to cover". (Plus some bonus tracks added, if you listen to the end...)
A vacation playlist. Composed over at cleek's place.
q. Marche au Camp, Laurie Hart (wow do I ever not listen to this record enough)
w. Down the Road, Flatt and Scruggs
e. Across the Universe, Robyn Hitchcock (Maxwell’s, November 04 — the linked version is the not-particularly-closest thing I could find)
r. Cumberland Blues, Fiddlin Doc Roberts (this shuffle is truly shining in the fiddle department)
t. Visions of Johanna, Chris Hintz
y. Dry Town Blues, Leake Co. Revelers
u. Cypress Grove, Vassar Clements
i. Ain’t That a Shame, Brian James (IRS Greatest Hits)
o. Ten Tiny Toes, One Baby Nose, Sol Ho’opi’i and his Novelty Quartette
p. Egyptian Cream, Robyn Hitchcock and the Egyptians.
Really recommend checking out the Laurie Hart piece, that (Danse ce Soir) is one of those records that I forget all about for long periods and then hear a song from on shuffle and fall in love with all over.
After the shuffle I am going to go spend a while listening to Laurie Hart.
Mountain Station's show on Wednesday was a lot of fun -- we got a couple of people to come out and listen to us, we got a chance to play with amplification, played our whole set plus a couple of spur-of-the-moment songs, got a chance to play with Kari sitting in on vocals...
Ellen got a tape of us playing "Dancing Barefoot" on her phone -- the audio quality is a little strange but I think our sound comes across nicely.
(Just found out about Saadiq today via his fantasic contribution to the new Amnesty International record, Chimes of Freedom. Saadiq covers "Leopardskin Pillbox Hat" in a way that has given me a whole new way of understanding the song, more blues than honky-tonk.)
Allow me to direct your attention as well to Saadiq's rhythm guitarist here, the extraordinary Rob Bacon, and to the instrumental duet about 9 minutes in.
