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Music
I've had a pretty complex relationship with music over the years... ought to write about that sometime. Anyways: I listen to a lot of it, in genres like "rock" and "pop" and "folk", and play some of it, primarily in the genres "old-time" and "classical".
John and I had a good time practicing tonight -- we will be playing at the open mic at Menzel Violins on Thursday, the songs we play will most likely be "Man of Constant Sorrow", "Meet Me in the Morning", and "Walk Right In" -- here is a recording we cut of "Walk Right In". Sound quality is still pretty ragged but it is nonetheless, I think, a fun song to listen to. (And to play, of course.)
Another song we played that was a lot of fun, was "The Battleship of Maine," by Charlie Poole and the North Carolina Ramblers. Same tune as "Up on Blueridge Mountain," this is an anti-war song from the '20's.
In emails last week, John and I have been talking about how to approach our weekly rehearsals, with the thought in mind that we'd like to have a good enough sound to play some shows before too long, and make recordings. What we eventually came up with was a two-pronged approach: if we start with a small group of songs that we think of as our book, and spend some time on those songs every week trying to get them to sound really polished, then we can also spend some time each week playing new songs, songs we haven't tried and are thinking about, or songs we enjoy that occur to one of us on the spur of the moment... So that's how we did it on Saturday and it worked out pretty well. The songs we are beginning with as our book are:
Jockey Full of Bourbon
Bonaparte medley
Louisville Burglar
Man of Constant Sorrow
California Stars
Meet Me in the Morning
Walk Right In
St. James Infirmary
Angel From Montgomery
This is a nice mix of musical styles and of songs he sings with songs I sing. We played every one of these (except St. James I think) on Saturday, and they are in general really starting to come together. And we had time left over to fool around -- we did a couple of Dylan songs, one by George Harrison, one or two by Neil Young; also "Praying Mantis" by Don Dixon, which we've done before and which might be a candidate for the "book" list...
posted evening of January 24th, 2010: Respond ➳ More posts about Songbook
So my sticking point on "Mack the Knife" is, I keep thinking it should be in D. But the recordings I'm listening to are mostly in C; and it turns out to actually be easier to finger in C than in D. But I need to avoid switching keys in the middle of the song...
I added another video to last night's playlist, a Brazilian performance by Servio Tulio and Glauco Baptista -- a lovely performance and sort of a midpoint between Lenya and Sinatra, or another interpretation with shadings of both. This is the first I ever heard of Tulio and Baptista but there seems to be a lot of great music by them up on YouTube.
Ellen and I watched Quiz Show tonight, and among other things it made me want to learn the song "Mack the Knife" which plays (Sinatra's version) over its credits. Here are some versions:
posted evening of January 22nd, 2010: Respond ➳ More posts about Songs
Great news! Clashmusic.com reports that the new album from Venus 3 (which was actually recorded before Goodnight Oslo) will be available in two months' time.
Nice quote from Hitchcock: "We wanted to create a sprawling record like The Basement Tapes: so we sprawled for a week and then spent three years editing it."
This is encouraging! I went to sleep last night thinking about "Walk Right In", with the different versions running through my head; and I woke up this morning with some ideas for my own version running through my head. So far today I have recorded three versions of it, each one sounding progressively better -- takes 2 and 3 even being music that I would play for somebody else without feeling embarrassed! It still needs guitar in it to sound like a complete song -- if you'd like to hear what I'm working on you can download take 3 from my box.net account.
This seems like a good place for a note about my current recording setup, which has gotten a lot more hi-tech in the last couple of weeks. I am recording into condenser mics which are going to a Behringer Xenyx 1204 mixing console, then a Behringer UCA-200 analog-to-digital converter, into my USB port, and REAPER is storing the sound and turning it into .WAV and .MP3 files. This seems to work pretty well -- I am happy about the sound quality of the recordings -- I need to spend some time on learning the ins and outs of the software, which is a good deal more complex than Audacity but also works better. John and I are working towards the goal of recording both of us together; to do this properly we mainly need another mic stand or two and possibly another mic.
posted afternoon of January 18th, 2010: Respond ➳ More posts about Fiddling
John and I played this 80-year-old song yesterday -- I thought I would link to a couple of source versions.
Dr. Hook and the Medicine Show (1977) rock right out. This might be my favorite version of the song, certainly the first one I think of when I think of this song. (Even though the version I first heard, I'm pretty sure, is that of The Rooftop Singers (1963) -- which I now find comparatively bland.) The original is Gus Cannon's Jug Stompers (1929) -- fantastically good, maybe more inventive play with the lyrics than in any of the covers I've heard. And the version that brought this song back into my conscious mind recently, off of a mix tape my brother made for me, is by Corey Harris and Cassie Taylor (2008), off of the record Recapturing the Banjo.
And suddenly the scales fall from my eyes! Practicing the tune this morning I realize it's another variation on the melody from "They're Red Hot!"
A good weekend for music with friends -- John came over last night and we played for a couple of hours, then I went over to Bob & Janis' place this afternoon and played, I am hoping to practice with the Lost Souls tomorrow evening. Set lists below the fold.
John and I played a pretty eclectic mix of music: A couple of takes of my "Bonaparte" medley, "Jockey full of Bourbon", "Behind that Locked Door", "Meet me in the Morning" (which I think has potential to be really great), "The Battleship Maine" (by Charlie Poole and the North Carolina Ramblers),"Little Ditches" (by Michael Cross, about undertaking), "One of these Days", "A Man of Constant Sorrow" (ditto on the potential greatness), and "Walk Right In" among other songs.
With Bob and Janis and Greg I played a pretty Grateful Dead-centric hour of music; starting with a drastically slowed-down version of "West Texas Cowboys" we played "Panama Red", "Breakdown Palace", "Rollin' in my Sweet Baby's Arms", "Loser" and more.
If you're going to be in the city next weekend and you like folk music, be sure to come down to Cake Shop Records, 152 Ludlow St. to see Pete Stampfel and friends play all evening long -- 8 - 12, only $5 at the door!
Katie Beaton has some fun with Edward Gorey's cover designs for paperback classics -- Whoa, back up, what?! Yep, that was his job for 7 years; and goreyography.com has reproductions of a lot of his covers.
If you're going to be in the city next weekend and you like folk music, be sure to come down to Cake Shop Records, 152 Ludlow St. to see Pete Stampfel and friends play all evening long -- 8 - 12, only $5 at the door! 
I posted a brief note about Carlos Saura's breathtaking movie Fados at 