READIN

Friday, March 19th, 2004

Truth may be stretched thin and not break, but float upon the surface of the lie, like oil on water

Cervantes
Don Quixote, Part II, Chapter X

For some reason, this quote out of context reminds me strongly of neocon arguments in support of the Iraq war.

posted evening of March 19th, 2004: Respond
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Tuesday, March second, 2004

I finished the first part of Don Quixote last night. What I want to say about the book is that it is funny and clever but not satisfying. And that the reason for this is, the reader is given no chance to get to know the characters as humans. (Funny, this is the same thing I just said about "The Dreamer" -- I don't know if that makes my saying it more or less trustworthy...) I do not want to paint myself into a corner where the only thing I can appreciate is modern novels. And I don't really thing that's what is going on: I can think of two works I love (and find satisfying) straight off the bat, Iliad and Beowulf, which do not have human characters in the sense I have been talking about; I'm sure there would be many more if I took some time to dig through my memory. Why is it that these work? Can I shift my expectations of Don Quixote to make myself enjoy it more?

posted morning of March second, 2004: Respond
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Sunday, February 29th, 2004

Don Quixote, chapter L: the story of Part I is drawing to a close and I am a bit troubled. I have been appreciating the narrative gymnastics and the wry wit; but I don't think any of the characters have emerged over these 450 pages as much more than one-dimensional. I am confused a bit about the pedantic tone of the sections that inveigh against chivalric novels -- sometimes it seems like irony, other times quite earnest.

As a reader in 2004, the question of chivalric novels doesn't matter much to me except insofar as it expands to cover popular action novels in general -- do I read Cervantes as talking specifically about the genre popular at his time, or as addressing a more universal human trait?

posted evening of February 29th, 2004: Respond

Friday, February 27th, 2004

I am just ploughing through House of Sand and Fog now, loving the world of the book -- Dubus has got me totally roped in to his reality. He is leaping around amongst various time frames and points of view and it seems totally fluid to me. This is IMO the key to a really good modern novel. I would like to develop this at more length sometime. Also it was occurring to me this morning, how does that tie in with my experience of Don Quixote? The movement between various narrative lines which I was admiring a few posts back is in the same direction as this quality I am talking about; but it is not precisely the same.

posted morning of February 27th, 2004: Respond
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Wednesday, February 25th, 2004

Don Quixote, Chapter XLV: Ah, we're back to the main subject matter of the book, the madness of Señor Quexana. The other stories are good too but this is the real meat of it.

posted evening of February 25th, 2004: Respond

Monday, February 23rd, 2004

Don Quixote, Chapter XLIV: The web of coincidences in the last section of Part I was really threatening to lose my interest... But somehow it has pulled me back in over the last two chapters.

posted evening of February 23rd, 2004: Respond

Wednesday, February 18th, 2004

Don Quixote, Chapter XXXVI: A weird change of gears -- I expect to continue on with the story of "The Queen of Micomicona" but instead I find myself suddenly returned to the story of Cardenio and Don Fernando... it is testament to Cervantes' skill as a story teller that I was able to get back up to speed on this lapsed story very quickly. The way the stories are interleaved together is what I am finding most memorable about this book -- Cervantes can jump with little effort from one to another, and there are always little reminders planted of the stories that are currently in the background.

posted evening of February 18th, 2004: Respond

Monday, February 16th, 2004

Don Quixote, Chapter XXXVI: I just finished the Tale of Reckless Curiosity and found myself won over to its presence in the book. Although it distracted me from the main story of Don Quixote, it was itself a good story and I got interested in the characters almost despite myself. I was glad Cervantes interrupted the action of the enclosed story midway through to talk about the main story -- that kept it in my mind.

posted evening of February 16th, 2004: Respond

Friday, February 13th, 2004

Don Quixote -- I am bogging down slightly on Chapter XXXIII, the story-within-a-story about Anselmo and Lotario. A footnote at the end of the previous chapter says Cervantes was criticized for including this story as it detracted from the flow and pacing of the story; I'm with the critics. This story reminds me a bit of the stories-within-a-story of the Decameron, which I found quite difficult to get through and not really that engaging. (Not to criticize Boccaccio -- people with far better taste than I have think he's the bee's knees -- I just had a hard time with it. Perhaps when I am older and more patient I will return to it and enjoy it.)

posted evening of February 13th, 2004: Respond

Monday, February 9th, 2004

I finished reading After the New Economy tonight -- I am glad to have read it and hope some salient points about finance (in particular) stay with me. I will give it to a friend tomorrow. And yes, I'm still reading Don Quixote, and enjoying it; I have just begun the fourth part, in which (I am guessing) the priest and the barber will return Señor Quexana to his home village and attempt to cure his mania.

posted evening of February 9th, 2004: Respond
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