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Saturday, November 8th, 2008
Chapter 7 of The Golden Compass is a trip. When Sylvia and I were reading it this afternoon there was a lot of talk back and forth -- "Oh, so that's what was happening!" "Oh, so that's why Lyra was at Jordan!" etc. This is a really nice trick -- there was a lot in the first part of the novel that we were just accepting on faith without really understanding, the exposition is placed so that you've just about gotten used to not being sure what's going on in the plot -- you're just reading and enjoying the characters and the action, and suddenly you turn a corner and much of the mystery is laid bare. (Not all -- there's still the central mystery of what the G.O.B. is using the kidnapped children for, and what's the city in the sky, and why is Asriel being held prisoner.)
posted evening of November 8th, 2008: Respond
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Monday, November third, 2008
Chapter 5 of The Golden Compass -- now things are starting to get really interesting. Sylvia and I are both on the edge of our seat. I really like the way Pullman drops hints about what's going on -- very graceful, they are not so cryptic you can't easily pick up on them, but they are not hammered into your ears either. A bit like reading a good whodunit. And at the end of the cocktail party scene, the transition to Lyra fleeing from Mrs. Coulter's house was handled very well. This book just feels elegant.
 (Note from an adult reading a kids' book -- it was such an eerie feeling I had, to be identifying with Mrs. Coulter as I read her cruel disciplinarian lines to Lyra before the party. I can't recall ever feeling this way though I've read many children's books with authoritarian adult figures in them.)
posted evening of November third, 2008: Respond
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Sunday, November second, 2008
Saramago posts today on the subject of politics. On the eve of the presidential elections in the United States, this brief observation does not seem out of place. Some time back, a Portuguese politician*, who at that time bore the responsibilities of prime minister, declared for whomever would like to hear it that politics is, in the first place, the art of not speaking the truth. The problem is that since he said that, there has not been, to my knowledge, a single politician, from the left to the right, who would correct him, who would say no sir, the truth is going to be the sole and ultimate objective of politics. For the simple reason that only in this manner can the two be saved: truth by politics, politics by the truth. (I'm pretty uncertain about the translation of the last sentence: I'm translating the preposition "con", which usually means "with", as "by", because I'm not sure how else to make sense of the sentence.** Please let me know in comments if you know better.)
 * The politician in question is António Guterres, as near as I can tell (based on a reference in this editorial from Lusopresse). I am tentatively translating Saramago's "governo" as "prime minister", since that was Guterres' position.
** Update -- Never mind, now I looked at the Portuguese source of the post (which I had been reading in Spanish) -- the preposition translated as "con" is "pela", which is Portuguese for "by". This makes me more confident in my translation of the Spanish.
posted evening of November second, 2008: Respond
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In Hovering Flight, Chapters 15 and 16 -- as Addie struggles with cancer and with chemotherapy I feel like she is finally starting to come through as a character -- still very much an odd bird, but I'm starting to understand her well enough to identify with her, and with Tom. And in parallel I'm thinking that Scarlet (who is now grown up) is beginning to understand her parents as people rather than just as cryptic "parents". By that token the writing in these chapters strikes me as more mature, more fully developed than the writing in Chapters 7 and 8 -- Scarlet is again (mostly) absent from the story, but there is no drought of character. I wonder if it would be possible (and if it would be worthwhile) to argue that the narrator "grows up" in parallel with Scarlet -- that Scarlet getting to know her parents enables the reader to know them with a fulness of human character. Would it be appropriate to call this a Bildungsroman?
 (And a nice bit of continuity at the end of Chapter 16: at the party celebrating Addie's newfound artistic success, "And there was Scarlet, watching them all and smiling...")
posted morning of November second, 2008: Respond
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Thursday, October 30th, 2008
Chapter 4 of The Golden Compass: Sylvia and I are both, separately, trying to figure out why the Master sends Lyra off with Mrs. Coulter,  who is obviously a Bad Guy. Sylvia laid out her hypothesis to me: Sylvia: Dad? What is that thing the Master gave Lyra? What did he say it could do? Me: The Alethiometer you mean? He said it was a machine that would tell her the truth. Sylvia: ...I think it's going to tell her that she's a Gobbler. He knows it and he wants it to tell her. Me: Hm, that sounds like it could be...
(A minute later) If he knows though, why doesn't he just tell her? Sylvia: Because she would probably just refuse.
That's a good thought. I also am working on an idea where maybe Mrs. Coulter's kid-stealing activities are actually benign, or serving a greater good, and we've been misled by the children's talk of Gobblers. The distinction between Good Guys and Bad Guys is not as clear in this book as in most of the other stuff we've read before. But I think Sylvia's idea is probably closer to right.
posted evening of October 30th, 2008: Respond
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In his playlist today, Dave Barber includes a recording of Caroline Bergvall reading the first stanza of the Inferno, in every English translation found in the British Library.
I've assembled a playlist of Bergvall readings so they're all in one place. You can download it from box.net. (Click "download folder" to get all tracks zipped, for a faster download.) The tracks are:  - "The Host's Tale"
- "The Summer Tale"
- "The Franker Tale"
- "The Not Tale"
- Inferno, first stanza
- "Mont Blanc", by Percy B. Shelley
- "Pervaded with that ceaseless motion": a reading of "Mont Blanc" in collaboration with composer Mario Diaz de León.
A note about her Chaucer project can be found in issue 32 of Jacket.
posted morning of October 30th, 2008: Respond
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Over at History Time, jfruh asks the question: Was McCain 2008 the worst presidential campaign in history? And answers "No," but has to go back to the Whigs of 1836 to find a worse one.
Also at History Time today, a bit of Jersey history.
posted morning of October 30th, 2008: Respond
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Wednesday, October 29th, 2008
Joyce Hinnefeld is conducting an author chat over at LibraryThing, from today through November 12th. ("Chat" is kind of a strange name for a two-week exchange of messages...) You will need to be logged in to view it. (Link via She Is Too Fond Of Books....)
In the chat, Joyce links to a playlist she created to go along with In Hovering Flight.
posted morning of October 29th, 2008: Respond
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Sunday, October 26th, 2008
Before the movie this afternoon, Ellen and I swung by Montclair Book Center. Ellen picked up Anne of Green Gables, which she has been wanting to read with Sylvia. I went looking to see if they had cheap used copies of any Saramago titles that I haven't read, and found The Stone Raft; and while I was browsing through the used books I found something I'd never heard of before but that looks interesting:  Fortunata and Jacinta, by Benito Pérez Galdós (tr. Agnes Moncy Gullón, 1986) -- a weighty 19th-century novel set in Madrid. I'm looking forward to reading it -- the first couple of pages are good reading -- and speculating that it may give me some background for Saramago and other modern Iberian novelists.
A nice passage, from the end of the first chapter. The narrator is describing how Juanito Santa Cruz changed from an avid reader and thinker in college to an anti-intellectual adult:
Living was relating to others, enjoying and suffering, desiring, hating and loing. Reading was artificial borrowed life... He claimed that the difference between these two ways of living was like the difference between eating a chop yourself and having someone tell you how and when someone else ate it, making the story a really good one of course -- describing the expression on the person's face, his pleasure from chewing the meat, his satisfaction upon swallowing it, and then his placid digestion.
posted evening of October 26th, 2008: Respond
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I was thinking more today about why I am identifying Scarlet as the main character of In Hovering Flight, and what it means: the plot* is events that happen in the lives of Scarlet's parents and their friends, she is involved mainly as a spectator. Scarlet is about my age (2 years older), and I can roughly identify all the people in her parents' crowd as people I knew growing up. I am finding it easy to identify with Scarlet's role watching her parents and their friends, forming attachments for some and failing to attach with others, but never really being able to understand them as people rather than as "characters" -- She is experiencing her life as a story told to her. Something that is really puzzling me: The excerpts from Addie's field journal that are part of this book, are from the first field journal, the one she kept in Tom's class. But it was explicitly pointed out in the first chapter, that this was the journal which Tom would not show to Scarlet, presumably because of its role in the beginning of his and Addie's relationship. So it doesn't fit in with the rest of the book being Scarlet's pov. I'm hoping to get some kind of explanation for this before too long. Note: Chapters Nine and Ten are some of the best writing so far. I'm hoping for more of this, it's really comfortable to read.
* Understood to mean "the plot thus far" -- I've only read half the book so far. These ideas are developing as I progress through it.
posted evening of October 26th, 2008: 2 responses
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