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A willingness to let things wash over you can be the difference between sublimity and seasickness.

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🦋 Perspex Island song by song: Vegetation and Dimes

The chorus of "Ultra Unbelievable Love" fades out and is replaced by a steady, hypnotic rhythm. When Robyn's voice comes in it sounds like the locomotive whistle above the beat of the rails. Let's jump off the train... This song might feature the most compelling vocal work on the record. The lines starting with "What are we waiting for" are rivetting, with Robyn practically screaming -- outrage? fear? "In the city of Lies,/ Real life is a -- crime..." Check out that pause before "crime" and then the change in register -- this is one of the things I find utterly attractive about Hitchcock's singing, the tiny, unpredictable syncopations before the long notes. (This is some of what I was trying to get at the other day.)

posted evening of Wednesday, April 11th, 2007
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