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Disbelief is more resistant than faith because it is sustained by the senses.

Gabriel García Márquez


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🦋 Poetry

Breyten Breytenbach is blowing me away with the depth of his insight and the eloquent rhythm of his elocution in his Intimate Stranger. It is a prose work, or something like a prose work -- I'm sort of tempted to call it poetry written in really long lines which look like paragraphs... Here he is explaining some of the difference between poetry and prose:

...Poetry is a precise and tactile tongue, even though it can be called ‘universal’ because it always speaks poetry; irrespective of the language it inhabits or hides in. “Poetry is my mother tongue.” (Yang Liang)

Visual art is a language with its own alphabet. Music is a language replete with intent and with meaning and yet without words. These and other forms of artistic expression are the primary or original languages. They differ from our everyday working verbal tools -- philosophy, science, theology, sociology and politics -- in that they're not dependent on a consensus of lexical or contextual meaning. The languages of creativeness certainly also mean (they may even make sense and sentences), but the meaning is carried by the totality of means at their disposal: color, texture, echo, absense, shape, etc. They are both non-elusive and endlessly allusive.

Every sentence of this slim book contains a vast structure of meaning and I'm having to back up and reread a lot as I take it in... What do you do with a sentence like "What's left is the ash of the poet's craft which will be remembered embers to be recalled and read like runes and stones and bones still smoldering in the streets of wind and water, so beautiful and so bleak." -- other than admire it, run your tongue over the words, repeat it to yourself as you stare off into the distance?

This is the first work of Breytenbach's I've read -- previously I had only heard of him from Coetzee's Summertime. I'm in love with his authorial voice, at least in this work where he is speaking directly to me the Reader -- "fishing for memory in time"; "inventing consciousness"; he says the working title was On the Art of Being Intimate with Strangers, and I certainly get the impression that he is being intimate with me. I wonder what his poetry is like, if I will be able to get the same feeling from work that is not explicitly addressing me.

posted morning of Sunday, May 23rd, 2010
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