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So man became, by way of his passage through the cave, the dreaming animal.

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🦋 The narrator knows

It contributes something to a reading of Middlesex, to ask how well Cal knows the stories he is telling. Much of the book is told in something similar to a third-person omniscient voice, scenes where Cal simply couldn't know the things he is telling, and the obvious conclusion is that he's making them up, embroidering details into his scant family history. Occasionally he cops to this, saying e.g. "...And now I have to enter Father Mike's head, I'm afraid. I feel myself being sucked in and I can't resist." (What a great idea it is to make Father Mike be the scam artist.) Other times the embellishments are just presented as part of the story. Cal's desire for an integral back-story to his life, a history without holes, makes a really compelling framework for the book.

posted evening of Thursday, March 11th, 2010
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