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Me and Sylvia on the canal in Qibao (April 2011)

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There is a constant barrier between the reader and his consciousness of immediate contact with the world.

William Carlos Williams


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Another image from Heimat is making me wish I could find some stills and clips from this movie online; but no luck. The opening shot of Paul has been all in black-and-white; as he reaches his parents' farm he looks in the window of the barn where his father is working at the forge; its interior is shot in color but you don't notice this at first because it is dark -- the camera pans to the bar of iron that Herr Simon is hammering and its orange glow just fills the screen. And just as quickly pans/shifts back to outside and black-and-white. (The gruff, happy interaction between father and son in the next scene is pretty affecting stuff also.)

Update: Found a couple of stills.

posted evening of Monday, January 18th, 2010
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