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A willingness to let things wash over you can be the difference between sublimity and seasickness.

Garth Risk Hallberg


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🦋 Branching rapidly outward...

How beautiful it is, this world, even if it is only a simulacrum. At least there is that to fall back on.
I'm trying to figure out what I think about the new direction Coetzee is taking in the last part of Elizabeth Costello. It is very much unexpected, which I count as a good thing. I'm having some trouble figuring out quite how to relate it to the rest of the book; but there is a general sense that the relationship exists -- Costello's character is the same, the narrator's voice is the same. I'm holding out hope they will be sewn together in the final ten pages.

'What are you saying in your confession?'

'What I said before: that I cannot afford to believe. That in my line of work one has to suspend belief. [Ooh, lovely! -- ed.] That belief is an indulgence, a luxury. That it gets in the way.'

'Really. Some of us would say the luxury that we cannot afford is unbelief.'

She waits for more.

'Unbelief -- entertaining all possibilities, floating between opposites -- is the mark of a leisurely existence, a leisured existence,' the woman goes on. 'Most of us have to choose. Only the light soul hangs in the air.' She leans closer. 'For the light soul, let me offer a word of advice. They may say they demand belief, but in practice they will be satisfied with passion. Show them passion and they will let you through.'

'Passion?' she replies. 'Passion the dark horse? I would have though that passion leads one away from the light, not towards it. Yet in this place, you say, passion is good enough.'

I am liking the juxtaposition of belief and passion a lot. Costello thinks the line "Only the light soul hangs in the air" must be a quotation; I am not finding anything to back this up.

posted afternoon of Saturday, February 14th, 2009
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